Showing posts with label Students. Show all posts
Showing posts with label Students. Show all posts

Friday, December 08, 2023

Hand & Lock Prize for Embroidery 2024

DEADLINE: March 31, 2024 (ONLINE)


Hand & Lock Prize for Embroidery 2024

London, UK


THE HAND & LOCK PRIZE FOR EMBROIDERY 2024 IS NOW OPEN


The annual Hand & Lock Prize for Embroidery is a celebration of craftsmanship and the fine art of embroidery. This global competition provides aspiring embroidery students and designers an opportunity to showcase their talents and gain vital exposure and experience. The aim of this prize is to promote the use of hand embroidered surface embellishment within the fashion, costume & textile industries. We provide artists, students, practitioners and enthusiasts with a platform to connect with other industry bodies; in turn gaining exposure, improving embroidery techniques and keeping the age-old tradition moving forward in the modern world.

The Hand & Lock Prize for Embroidery accepts all types of embroidery. Your piece may include more than one type of embroidery.

Our contest is open to embroiderers, students and enthusiasts anywhere in the world.

TYPE OF ENTRY

Student
To qualify for the Student Category you must be in full or part time higher education at the time of registration. Registration as a student means you will benefit from subsidised entry fee and can submit work you are creating as part of your course.

Open
If you aren't in full or part time higher education, you will qualify for the Open Category. Registering in the Open Category is for anyone of any age. You can be a skilled practitioner, a passionate enthusiast or even a recent graduate.
 
Submission Fees in USD:
Student: $25.00
Open: $38.00

CATEGORIES

FASHION

Fashion entrants should design a fashion garment that takes inspiration from the Prize brief. Your submission should showcase your design skill as well as your ability to embroider. Judges will look at your concept, execution, construction, embroidery skill and overall presentation.

TEXTILE ART
Entrants should examine the brief and produce an object that showcases their embroidery skills. The object could be a piece of jewellery, an artistic sculpture, an embroidered tapestry, a piece for home interior design etc. Judges will look at originality, embroidery technique, execution, construction and overall presentation.

The Brief (truncated version)

A palimpsest is an ancient document where the original inscriptions have been erased to make room for new texts. It has become a word we use to describe our capacity to see the age and history of an object or place. This idea of the old making way for the new, while leaving faint traces is at the heart of archaeology, art, evolution and innovation.

Consider yourself, the objects in your home and wider society and look for the layers that reveal the stages and transformations that led them each to where they are today. Look at your environment, the landscape, the forest, the city through which you make your daily commute. See the ancient ruins that lie sandwiched between glistening glass skyscrapers and construct your own histories.

Consider the emotion your piece can convey: calm tranquillity, vibrant exaggeration, or the blended middle ground. Find your own expression of optimism. Imbue your object with layers that aspire to hope, joy and celebration.

Embrace up-cycling as a metaphor for historical revisionism. Investigate the act of embroidery as a healing process. Recognise and highlight the transformation in you, and the objects you embroider.

Your final work should reflect a complex and personal multi-layered engagement with your inspirations. Dig deep and explore your thoughts and feelings: your submission should provoke, communicate and articulate a strong sense of emotion.

PRIZES

First Prize

◦ The winners in each category will be awarded with $3,500 USD as a top prize.
◦ A commemorative framed hand embroidered plaque produced by Hand & Lock's skilled craftsmen.
◦ A years complimentary membership of The Textile Institute.
◦ Six months subscription to Selvedge magazine.
◦ A prize bundle of industry standard threads from Madeira.
◦ A weekend course at Hand & Lock.

Second Prize

◦ A commemorative framed hand embroidered plaque produced by Hand & Lock's skilled craftsmen.
◦ Six months subscription to Selvedge magazine.
◦ A weekend course at Hand & Lock.

Third Prize

◦ A commemorative framed hand embroidered plaque produced by Hand & Lock's skilled craftsmen.
◦ Six months subscription to Selvedge magazine.
◦ A weekend course at Hand & Lock.

Submission Guidelines for the First Round of Judging


For the first round entrants should only submit images. These images should convey a combination of your overall vision, your design journey, your research and include fine details. If your submission is incomplete, images of your work in progress and a rendering of your overall scheme can be submitted.

Our judges will use these images to assess your embroidery vision and how you have chosen to interpret the brief. Judges will look for evidence of your inventive and original interpretation, as well as your technical ability and overall design.

For the first round you will be asked to upload six images. These images should meet the following criteria:

– Three research images (Consisting of concept or mood board and embroidery samples).

– Three images of your embroidered Textile art or fashion piece (If final design is not complete, then please provide images/designs of how the final piece is expected to look).

– Your images should demonstrate that you have followed the specially written brief.

– Your images should not be doctored, obscuring your overall design vision or your embroidery skill.

– Your submission should be accompanied by up to 200 words describing your overall concept along with techniques and materials used.
Hand & Lock
86 Margaret Street
London, W1W 8TE
TEL: 0207 580 7488

Spotlight on Student Fiber Trends 2024

DEADLINE:  June 29, 2024 (ONLINE)


Spotlight on Student Fiber Trends 2024

Southeast Fiber Arts Alliance (SEFAA) and
Professional Crafts - Fibers Program at Haywood Community College
Haywood Community College
Clyde, NC
September 27, 2024 to November 8, 2024

The Southeast Fiber Arts Alliance (SEFAA) and the Professional Crafts - Fibers Program at Haywood Community College have joined forces to organize, promote, and host a juried student exhibition of creative works in fiber art. The exhibition exclusively features the work of post-secondary students to honor and encourage the next generation of fiber artists and it showcases a wide range of content, material, and techniques with the common threads of originality and passion.

ELIGIBILITY: Any undergraduate/graduate student enrolled in a fiber/textile program or independently pursuing a study of fibers/textiles in the Southeast (Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, or Virginia) at the time of application is eligible to apply.

This exhibition is the fifth in a series, with previous Spotlight exhibitions held in Greenville NC, Athens GA, Murray KY, and Greenville SC.

ENTRY FEE FOR 1-3 WORKS:
$20 - Members of the Southeast Fiber Arts Alliance (SEFAA)
$35 - Non-members (includes 1-yr student membership in SEFAA)

JURORS: Sherry Masters, Allie Dudley, and Kristen Artz

AWARDS:
  • First Place: $800
  • Second Place: $500
  • Third Place: $300
  • Honorable Mentions - awarded at the discretion of the juror
  • Susan Leville Award: $500
  • Handweavers Guild of America, Complex Weavers, and Surface Design Association Awards
WORK REQUIREMENTS:  
  • Each student may submit up to three works.
  • Submitted work must be original in design and must have been completed after January 1, 2022.
  • Work must utilize fiber techniques (interlaced, felted, stitched, dyed, coiled, knotted, printed, spun, woven, etc.) and can be of any material.
  • Only individual work will be considered; no group projects will be accepted.
  • Students who propose an installation work must be prepared to personally install the work at Haywood Community College and remove it after the exhibition closes.
  • Work is limited to a weight of 50 pounds including any mounting hardware and/or armature.
  • Installed work must be no wider than 4 feet and no taller/longer than 7 feet.
  • Screws are allowed for hanging, but bolts are not.
INSTALLATION AND EXHIBITION
  • Work must be received ready to display and must include all mounting/display hardware.
  • Include clear written installation instructions (supplemented by photos, if appropriate) with each work.
  • Two-dimensional work will hang against walls. Three-dimensional work will be free-standing or placed on pedestals or mannequins.
  • Haywood Community College will insure all work while it is at the College.
SALES
  • Sales are permitted for works where a sales price has been declared during the application process.
  • Haywood Community College will direct all sales inquiries to the student artist who will be responsible for all sales transactions and for notifying Haywood Community College that their work has been sold.
  • No commission will be charged, but you are encouraged to donate a portion of your revenue to Haywood Community College, SEFAA, or another nonprofit of your choice.
  • Sold work must remain on exhibit throughout the duration of the exhibition.
ENTRY SUBMISSION:    

Only digital submissions through CaFE are acceptable.



QUESTIONS?
For entry and general questions, please call or email SEFAA at 678-235-4328 or exhibitions@fiberartsalliance.org.


The Virginia Jackson Design Competition, (formerly) The International Textile Alliance Design Award

DEADLINE: March 18, 2024 (ONLINE)
 
 

The Virginia Jackson Design Competition
(formerly) The International Textile Alliance Design Award
High Point, NC


The Virginia Jackson Design Competition (originally called the International Textile Market Association Design Award) was established in 1995 to recognize the most talented students in the field of textile design and create a vehicle to bring new talent into the industry.

When the association launched the student design competition, Virginia Jackson was very instrumental in establishing the core fundamentals, which continue to play a major role in the program.

Submitted designs must be created for residential upholstery applications in Dobby, Jacquard and Print categories.

ENTRY – STUDENT INFORMATION
All entries must be submitted by and be the work of students currently registered for courses in the textile design schools or departments of approved accredited universities
or colleges.

Each entry should have the following information included and meet the following criteria: (truncated version)
  • The design - entry can be artwork (for prints only), printed fabric, or woven fabric (for jacquard and dobby entries).
  • The design applied to a sketch of a piece of furniture. This will illustrate the application of the design in practical usage and an understanding of the design placement upon the furniture. Be sure the design motif is applied to the furniture in its proper scale relationship of fabric to frame.
  • An image of the design in repeat if it is not included elsewhere.
  • Overall size of entries should be 27" x 27" excluding mat, one "major pattern" per board; dobby entries to be no smaller than a 13 1⁄2" x 13 1⁄2".
  •  A statement of inspiration for the design should be included on the board.
  • A required contribution to the ITA Educational Foundation is necessary, $25 per entry.

Design Guidelines: https://drive.google.com/file/d/1HBAKfDFLKF6vm5WEis36jR9qbczNh2wO/view


Interwoven by International Textile Alliance
305 West High Avenue
High Point, NC 27260
(336) 885-6842

George Washington University Museum and The Textile Museum Student Opportunities

DEADLINE: ONGOING (ONLINE) & (EMAIL)


The George Washington University Museum and The Textile Museum
Student Internship Opportunities
Washington, DC

The museum offers a variety of hands-on learning opportunities and career training for students, including jobs, work study, course credit and more.

GW students can apply for part-time paid positions on GW's Student Employment website. We seek applicants with a professional attitude, flexibility, sense of commitment and the ability to work under deadlines. Students work closely with the museum's professional staff on daily tasks and long-term projects, and participate in monthly staff meetings and other museum-wide activities.

We also welcome inquiries year-round from students at GW and other universities who are interested in learning experiences at the museum. We will work with you to identify meaningful opportunities designed around your individual professional goals and course credit requirements. 

The following museum departments are currently accepting inquiries from students.

Arthur D. Jenkins Library of Textile Arts


The Arthur D. Jenkins Library is a non-circulating library that offers resources for scholars and the public on textile history and global dress. Students can participate in collection assessment, resource description and processing, marketing, and the library's digital repository initiative.

To inquire about student opportunities, email librarian Tracy Meserve (tmeserve@gwu.edu) with your cover letter and resume.

Collections Management

The Collections Management Department ensures the stewardship, safety and care of the museum collections. Students will gain experience in basic collections management practices and protocols, including processing incoming objects, object inventory, environmental monitoring and integrated pest management, condition reporting, database management and digital imaging.

Application deadlines:

    Fall semester: July 1
    Spring semester: November 1
    Summer semester: April 1

Apply for Student Opportunities in Collections Management: https://museum.gwu.edu/collections-management-internship-application

Conservation

The Conservation Department provides care for the 21,000 artworks in The Textile Museum Collection. Students must be enrolled in, or a recent graduate of a recognized conservation program, with basic experience in textile storage, treatment, condition reporting and exhibition preparation. Under special circumstances, experienced collections management professionals may apply. Students will receive training in techniques of storing, mounting and treating textiles.


Development

The Development Department supports the cultivation, solicitation and stewardship of the museum's members and donors. Students assist with membership mailings, grant proposals, stewardship reports, event planning, prospect research and database management.

Inquire about student opportunities: email Danielle Tyson (tysond@gwu.edu) with a cover letter and resume

More information is available on the website: https://museum.gwu.edu/work-with-us


The George Washington University Museum and The Textile Museum
701 21st St. NW
Washington, DC 20052
Phone: +1 202-994-5200
museuminfo@gwu.edu

Wednesday, November 08, 2023

Contemporary Textile Studio Co-operative Independent Student Residencies



DEADLINE 1: January 15, 2024 [ONLINE]
DEADLINE 2: March 3, 2024  [ONLINE]
DEADLINE 3: September 1, 2024  [ONLINE]


Contemporary Textile Studio Co-operative 
Independent Student Residencies
Toronto, ON
Canada

Our Independent Student Residencies are open to third and fourth year full-time art and design students exploring textiles in their work and graduating at the end of the 2023/2024 school year.

We offer residency sessions throughout the year:

Summer
May 1 – August 31
Deadline to Apply: March 31

Fall
October 1 – December 30
Deadline to Apply: September 15

Winter
February 1 – April 30
Deadline to Apply: January 15

We rely on our members' and residents' varied backgrounds and perspectives to spark innovation and creativity. We invite students from diverse communities to apply and gain access to our beautiful, 1200 square foot equipped studio located at 401 Richmond St. West in Toronto, Canada.

Complete list of our studio facilities: www.textilestudio.ca/studio

Residency Overview

Students will be assigned a mentor but must be able to work independently in the studio.

Students are allocated 8 - 12 hours per week to work in the studio at a subsidized rate of $50 per week.

Successful applicants will provide their own materials, including screens, fabrics, pigments, dyes and auxiliaries.

Most studio-owned equipment is available for use by student residents who have undergone studio orientation. Residents will supply their own specialized equipment. Please note not all equipment and textile processes can be accommodated in the studio.

Student residency placements are open to art and design students exploring textiles in their work. Students who successfully complete a residency may be eligible to renew another residency for the following academic term.

Graduates may be eligible to apply for full studio membership: textilestudio.ca/membership



*OCADU students may be eligible to apply for a Student Residency Career Launcher Award from the RBC Centre for Emerging Artists & Designers.


Questions? Contact: info@textilestudio.ca

Contemporary Textile
Studio Co-operative 
401 Richmond St W, Studio 109
Toronto ON Canada M5V 3A8
info@textilestudio.ca