Deadline: October 31, 2015 {ONLINE} or {RECEIVE}
American Tapestry Biennial 11
American Tapestry Alliance
Venues:
South Bend Museum of Art
July 2 – September 25, 2016
and
San Jose Museum of Quilts and Textiles
March 1 – June 18, 2017
ATA invites all tapestry artists to submit works to American Tapestry Biennial 11.
Entry to ATB 11 is open to all tapestry artists who design and weave their own tapestries (defined as “hand-woven, weft-faced fabric with discontinuous wefts”), either individually or collaboratively (all assistants shall be named). Multimedia work will be considered as long as the primary medium is tapestry.
Entries must be one-of-a-kind and have been completed after January 2012. Entries may not have been shown previously in any ATA exhibition, including the Unjuried Small Format show. Artists may submit up to three pieces, but a maximum of one piece per artist will be accepted.
Submissions: The juror will select tapestries from digital images; image quality may influence the juror’s decision. Only completed tapestries will be juried. Image submissions must be digital.
Entry Fees: $35 ATA members, $55 Non- Members, $70 Membership & Entry Fee
Download Entry Form: http://americantapestryalliance.org/ATB-11-entry-form.pdf
Online Entry Form: http://americantapestryalliance.org/american-tapestry-biennial-11-online-entry
Visit website for more information: http://americantapestryalliance.org/american-tapestry-biennial-11
Questions? Contact ATB 11 Co-Chairs, Terri Bryson, 2brysons@gmail.com, or Elaine Duncan, elaine@elaineduncan.com
Showing posts with label (OCT 31). Show all posts
Showing posts with label (OCT 31). Show all posts
Thursday, March 26, 2015
Monday, September 01, 2014
Small Tapestry International 4: Honoring Tradition, Inspiring Innovation
Deadline: October 31, 2014 {ONLINE} or {RECEIVE}
Small Tapestry International 4: Honoring Tradition, Inspiring Innovation
American Tapestry Alliance
Venues:
Northwestern State University
Natchitoches, Louisiana
June 8 – August 15, 2015
Biggs Museum of Art
Dover, Delaware
October 2 – November 22, 2015
Opening reception: Friday, October 2, 2015
Artspace
Raleigh, North Carolina
January 16 – March 5, 2016
The American Tapestry Alliance is a not-for-profit, member-supported organization seeking to exhibit the best of contemporary tapestry. ATA invites all tapestry artists to submit works to Small Tapestry International 4: Honoring Tradition, Inspiring Innovation. Artists are encouraged to explore the conceptual, technical and metaphorical implications of the theme as they design their submissions. We invite entries not only from artists who work within more traditional definitions of tapestry, but also those artists whose work expands upon the core principles of the medium as it explores new techniques and processes.
Eligibility
Entry to STI 4: Honoring Tradition, Inspiring Innovation is open to all artists who design and weave their own tapestries either individually or collaboratively (all assistants shall be named). For the purposes of this exhibition, tapestry is defined as hand woven, weft faced fabric using discontinuous wefts. Artists who work in both traditional and more experimental methods are encouraged to enter. Multimedia work will be considered as long as the primary medium is tapestry. Entries must be one-of-a-kind and have been completed after January 2013. Entries may not have been shown previously in any ATA exhibition, including the Un-juried Small Format show. Artists may submit up to three pieces, but a maximum of one piece per artist will be accepted.
Size Restrictions: The size of the tapestry may not exceed a total of 100 square inches (625 square cm) and cannot exceed 20 inches (50 cm) in any one dimension. Three-dimensional pieces may not exceed 10 inches (25 cms) in height, width, or depth. Tapestries must be mounted. The mount may extend up to 3 inches beyond the tapestry on every side. If accepted, the work must arrive ready to hang.
Download Entry Form: americantapestryalliance.org/STI4-Entry-Form.pdf
Enter ONLINE: small-tapestry-international-4-online-entry-form/
Visit website for more information: americantapestryalliance.org/small-tapestry-international-4-honoring-tradition-inspiring-innovation
Small Tapestry International 4: Honoring Tradition, Inspiring Innovation
American Tapestry Alliance
Venues:
Northwestern State University
Natchitoches, Louisiana
June 8 – August 15, 2015
Biggs Museum of Art
Dover, Delaware
October 2 – November 22, 2015
Opening reception: Friday, October 2, 2015
Artspace
Raleigh, North Carolina
January 16 – March 5, 2016
The American Tapestry Alliance is a not-for-profit, member-supported organization seeking to exhibit the best of contemporary tapestry. ATA invites all tapestry artists to submit works to Small Tapestry International 4: Honoring Tradition, Inspiring Innovation. Artists are encouraged to explore the conceptual, technical and metaphorical implications of the theme as they design their submissions. We invite entries not only from artists who work within more traditional definitions of tapestry, but also those artists whose work expands upon the core principles of the medium as it explores new techniques and processes.
Eligibility
Entry to STI 4: Honoring Tradition, Inspiring Innovation is open to all artists who design and weave their own tapestries either individually or collaboratively (all assistants shall be named). For the purposes of this exhibition, tapestry is defined as hand woven, weft faced fabric using discontinuous wefts. Artists who work in both traditional and more experimental methods are encouraged to enter. Multimedia work will be considered as long as the primary medium is tapestry. Entries must be one-of-a-kind and have been completed after January 2013. Entries may not have been shown previously in any ATA exhibition, including the Un-juried Small Format show. Artists may submit up to three pieces, but a maximum of one piece per artist will be accepted.
Size Restrictions: The size of the tapestry may not exceed a total of 100 square inches (625 square cm) and cannot exceed 20 inches (50 cm) in any one dimension. Three-dimensional pieces may not exceed 10 inches (25 cms) in height, width, or depth. Tapestries must be mounted. The mount may extend up to 3 inches beyond the tapestry on every side. If accepted, the work must arrive ready to hang.
Download Entry Form: americantapestryalliance.org/STI4-Entry-Form.pdf
Enter ONLINE: small-tapestry-international-4-online-entry-form/
Visit website for more information: americantapestryalliance.org/small-tapestry-international-4-honoring-tradition-inspiring-innovation
Friday, August 15, 2014
McKissick Museum: Crafting Civil (War) Conversations
Deadline: October 31, 2014 (ONLINE)
Crafting Civil (War) Conversations
McKissick Museum
College of Arts & Sciences
University of South Carolina
Columbia, SC
February 2 to May 31, 2015
McKissick Museum, along with many other cultural organizations in the City of Columbia and at USC, will commemorate the 150th anniversary of the end of the Civil War on April 9, 2014. For our commemoration, McKissick invites artists to reflect on the history of the war and its legacy and plans to feature a major exhibition entitled Crafting Civil (War) Conversations.
Seeking entries from artists working in what historically have been regarded as craft-based media (clay, fiber, glass, metal and wood), our exhibit will be a juried art exhibition that symbolically re-enacts the Civil War’s end as a scene of reconciliation—not between the North and the South—but between former slaves and former slave owners. The Museum ask artists to imagine and give visual and sculptural form to this scene, perhaps giving form to what Martin Luther King conjured when he dreamt of a day when “the sons of former slaves and the sons of slave owners will be able to sit down together at the table of brotherhood.”
Eligibility
To participate, artists must have been born in, raised in (minimum one year), or be currently living and working in one of the states that joined the Confederacy: Alabama, Arkansas, Florida, Georgia, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, and Virginia. This eligibility requirement ensures that the prize-winning artworks that will become part of McKissick’s permanent collection are aligned with the Museum’s collections policy.
Artists must work in craft-based media—clay, fiber, glass, metal, and/or wood.
Submitted artworks must have been completed since April 2011, the start of sesquicentennial commemorations of the American Civil War.
Artists must pay a $25 non-refundable entry fee.
To be eligible for this juried exhibition, artists must be 18 years old on or before the October 31, 2014 submission deadline.
Awards
$25,000 in purchase awards will be given to prize winning artists and/or artist collaboratives. Artists are welcome to submit images of an individual artwork conceived of as a component part of a scene of reconciliation OR to submit images of an installation with multiple components OR to collaborate with other artists to submit images of an installation with multiple component parts.
Download Prospectus: CALL FOR ENTRIES Crafting Civil (War) Conversations.docx
Online Entry Form via slideroom: https://mckissickmuseum.slideroom.com/
More information on website: http://artsandsciences.sc.edu/mckissickmuseum/call-entries-0
McKissick Museum
College of Arts & Sciences
University of South Carolina
816 Bull Street
Columbia, SC 29208
Phone: 803-777-7251
Fax: 803-777-2829
Crafting Civil (War) Conversations
McKissick Museum
College of Arts & Sciences
University of South Carolina
Columbia, SC
February 2 to May 31, 2015
McKissick Museum, along with many other cultural organizations in the City of Columbia and at USC, will commemorate the 150th anniversary of the end of the Civil War on April 9, 2014. For our commemoration, McKissick invites artists to reflect on the history of the war and its legacy and plans to feature a major exhibition entitled Crafting Civil (War) Conversations.
Seeking entries from artists working in what historically have been regarded as craft-based media (clay, fiber, glass, metal and wood), our exhibit will be a juried art exhibition that symbolically re-enacts the Civil War’s end as a scene of reconciliation—not between the North and the South—but between former slaves and former slave owners. The Museum ask artists to imagine and give visual and sculptural form to this scene, perhaps giving form to what Martin Luther King conjured when he dreamt of a day when “the sons of former slaves and the sons of slave owners will be able to sit down together at the table of brotherhood.”
Eligibility
To participate, artists must have been born in, raised in (minimum one year), or be currently living and working in one of the states that joined the Confederacy: Alabama, Arkansas, Florida, Georgia, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, and Virginia. This eligibility requirement ensures that the prize-winning artworks that will become part of McKissick’s permanent collection are aligned with the Museum’s collections policy.
Artists must work in craft-based media—clay, fiber, glass, metal, and/or wood.
Submitted artworks must have been completed since April 2011, the start of sesquicentennial commemorations of the American Civil War.
Artists must pay a $25 non-refundable entry fee.
To be eligible for this juried exhibition, artists must be 18 years old on or before the October 31, 2014 submission deadline.
Awards
$25,000 in purchase awards will be given to prize winning artists and/or artist collaboratives. Artists are welcome to submit images of an individual artwork conceived of as a component part of a scene of reconciliation OR to submit images of an installation with multiple components OR to collaborate with other artists to submit images of an installation with multiple component parts.
Download Prospectus: CALL FOR ENTRIES Crafting Civil (War) Conversations.docx
Online Entry Form via slideroom: https://mckissickmuseum.slideroom.com/
More information on website: http://artsandsciences.sc.edu/mckissickmuseum/call-entries-0
McKissick Museum
College of Arts & Sciences
University of South Carolina
816 Bull Street
Columbia, SC 29208
Phone: 803-777-7251
Fax: 803-777-2829
Thursday, July 24, 2014
Intertwined: Contemporary Southeastern Fiber Art
Deadline: October 31, 2014 {ONLINE}
Intertwined: Contemporary Southeastern Fiber Art
Southeast Fiber Arts Alliance (SEFAA)
The Hudgens Center for the Arts
Duluth, GA
January 13 through March 21, 2015
Entries are now being accepted for Intertwined: Contemporary Southeastern Fiber Art. Artists are invited to submit up to two works utilizing any textile- or fiber-based techniques to Intertwined, a survey of the best contemporary fiber art in the Southeast. The exhibition will showcase a wide range of content, material, and techniques with the common threads of craftsmanship and passion.
Open to all artists working in one or more fiber techniques and living in Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, or Tennessee.
Awards include $1,000 for Best of Show and three Honorable Mention awards of $200 each.
The exhibition will be held at the Hudgens Center for the Arts from January 13 through March 21, 2015.
LOCATION: The Hudgens Center for the Arts, 6400 Sugarloaf Parkway, Bldg. 300, Duluth, GA 30097. The exhibition may travel to another location if a second venue can be arranged.
ENTRY FEE: $30 for up to two entries. Southeast Fiber Arts Alliance (SEFAA) members receive a $10 discount.
ENTRY REQUIREMENTS:
Please visit CaFE for additional information and to enter. Entries will be accepted through October 31, 2014.
Intertwined: Contemporary Southeastern Fiber Art
Southeast Fiber Arts Alliance (SEFAA)
The Hudgens Center for the Arts
Duluth, GA
January 13 through March 21, 2015
Entries are now being accepted for Intertwined: Contemporary Southeastern Fiber Art. Artists are invited to submit up to two works utilizing any textile- or fiber-based techniques to Intertwined, a survey of the best contemporary fiber art in the Southeast. The exhibition will showcase a wide range of content, material, and techniques with the common threads of craftsmanship and passion.
Open to all artists working in one or more fiber techniques and living in Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, or Tennessee.
Awards include $1,000 for Best of Show and three Honorable Mention awards of $200 each.
The exhibition will be held at the Hudgens Center for the Arts from January 13 through March 21, 2015.
LOCATION: The Hudgens Center for the Arts, 6400 Sugarloaf Parkway, Bldg. 300, Duluth, GA 30097. The exhibition may travel to another location if a second venue can be arranged.
ENTRY FEE: $30 for up to two entries. Southeast Fiber Arts Alliance (SEFAA) members receive a $10 discount.
ENTRY REQUIREMENTS:
- Entries must be submitted through CaFÉ™.
- Up to two works may be submitted.
- Submitted work must be original in design and must not have been previously shown in any major gallery or museum. Work completed since January 1, 2013 is preferred.
- Entries must utilize at least one textile- or fiber-based technique (interlaced, felted, stitched, dyed, coiled, knotted, printed, spun, woven, etc.) and can be of any material.
- Work must not weigh over 75 pounds including any mounting hardware and/or armature.
- You must personally deliver, install, and remove installation pieces.
- Jpeg image files are required for each work entered:
- For each entry, include a full view plus one or two additional detail images for clarification. (Minimum of 2 and maximum of 3 images per entry.)
Please visit CaFE for additional information and to enter. Entries will be accepted through October 31, 2014.
Sunday, December 22, 2013
Sturt Craft Centre Artist-in-Residence
Deadline: October 31, 2014 (RECEIVE) or (EMAIL)
Artist-in-Residence Program
Sturt Craft Centre
Mittagong NSW
Australia
Sturt Craft Centre invites applications from experienced craft practitioners to the Sturt Artist-in-Residence program. Residencies occur in the craft disciplines of ceramics, jewellery/metalwork, textiles and woodwork. Four to six residencies occur at Sturt each year.
Sturt encourages small scale production and individually designed work which may be promoted through Sturt Gallery.
Each year professional residencies may be awarded specifically to develop a body of work which can be produced and made, at Sturt, during the Residency time.
Sturt sees the residency program as an important adjunct to its overall aim of providing support for Australian contemporary craft and design through a program of teaching, retail, exhibition and residencies. The emphasis of the residency program will be to support craftspeople and designer-makers who are sympathetic to this philosophy.
Three categories of residency are available:
• Professional Residency
• Self Directed Residency
• Graduate Residency
Downloads:
Residency Program Prospectus
Application Form
Full details available on website: http://www.sturt.nsw.edu.au/get-involved/artist-in-residence
STURT CRAFT CENTRE
Cnr Range Road & Waverley Parade
Mittagong NSW 2575
Phone (02) 4860 2083
Artist-in-Residence Program
Sturt Craft Centre
Mittagong NSW
Australia
Sturt Craft Centre invites applications from experienced craft practitioners to the Sturt Artist-in-Residence program. Residencies occur in the craft disciplines of ceramics, jewellery/metalwork, textiles and woodwork. Four to six residencies occur at Sturt each year.
Sturt encourages small scale production and individually designed work which may be promoted through Sturt Gallery.
Each year professional residencies may be awarded specifically to develop a body of work which can be produced and made, at Sturt, during the Residency time.
Sturt sees the residency program as an important adjunct to its overall aim of providing support for Australian contemporary craft and design through a program of teaching, retail, exhibition and residencies. The emphasis of the residency program will be to support craftspeople and designer-makers who are sympathetic to this philosophy.
Three categories of residency are available:
• Professional Residency
• Self Directed Residency
• Graduate Residency
Downloads:
Residency Program Prospectus
Application Form
Full details available on website: http://www.sturt.nsw.edu.au/get-involved/artist-in-residence
STURT CRAFT CENTRE
Cnr Range Road & Waverley Parade
Mittagong NSW 2575
Phone (02) 4860 2083
Thursday, June 20, 2013
MANifestations 12th Biennial Exhibit of Quilts Made by Men
Deadline: October 31, 2013 (ONLINE)
Online entry period October 1-31, 2013
MANifestations
Twelfth Biennial Exhibit of Quilts Made by Men
Rocky Mountain Quilt Museum
Golden, CO
January 30 through April 26, 2014
The mission of the Rocky Mountain Quilt Museum is to collect, preserve, exhibit, and educate the public about quilts; honor quiltmaking traditions; and embrace the evolution of the art and craft of quilting.
Eligibility:
Entry fee paid online by credit card: $25 RMQM members; $35 non-members
Each entry may include up to three quilts
Full Entry details available here: http://rmqmentry.org/
For more information, contact Irene Berry, irene_b@rmqm.org
Online entry period October 1-31, 2013
MANifestations
Twelfth Biennial Exhibit of Quilts Made by Men
Rocky Mountain Quilt Museum
Golden, CO
January 30 through April 26, 2014
The mission of the Rocky Mountain Quilt Museum is to collect, preserve, exhibit, and educate the public about quilts; honor quiltmaking traditions; and embrace the evolution of the art and craft of quilting.
Eligibility:
- Quilt must be made by a man or men. Quilting only may have been done by a woman.
- Quilt size limit: no wider than 115”. No longer than 90”.
- Entry must consist of at least two layers, held together by some form of stitching.
- Quilts must have a 4” finished sleeve attached to the full width of the top edge of the quilt.
- A cloth label with the name, address, and telephone number of the entrant must be sewn to the quilt back.
- Artist must supply all necessary equipment for displaying irregularly shaped quilts or those with special hanging requirements. Entry must be clean and free of pet hair, smoke, and odor.
- Entries that do not meet show criteria, exhibit poor quality construction, or have been misrepresented by digital images may be disqualified.
- Entries must be available for the duration of the exhibit.
- Quiltmaker agrees that the supplied image of his entry may be used for exhibit promotion and publicity, in print and online.
Entry fee paid online by credit card: $25 RMQM members; $35 non-members
Each entry may include up to three quilts
Full Entry details available here: http://rmqmentry.org/
For more information, contact Irene Berry, irene_b@rmqm.org
Saturday, February 02, 2013
American Tapestry Biennial 10
Deadline: October 31, 2013 (RECEIVE) or (ONLINE)
American Tapestry Biennial 10
American Tapestry Alliance
Mid April 2014 - Late January 2015
The American Tapestry Alliance is a not-for-profit, member-supported organization seeking to exhibit the best of contemporary tapestry. Since 1986 ATA has sponsored a biennial, juried exhibition. ATA invites submissions from tapestry artists around the world. The intention of this show is to include not only artists who work within more traditional definitions of tapestry, but also those artists whose work expands upon the core principles of the medium as it explores new techniques and processes.
This is the only ATA show that accepts larger tapestries and so we welcome them.
Entry to ATB 10 is open to all tapestry artists who design and weave their own tapestries (defined as “hand-woven, weft-faced fabric with discontinuous wefts”), either individually or collaboratively (all assistants shall be named). Multimedia work will be considered as long as the primary medium is tapestry. Entries must be one-of-a-kind and have been completed after January 2010. Entries may not have been shown previously in any ATA exhibition, including the Unjuried Small Format show. Artists may submit up to three pieces, but a maximum of one piece per artist will be accepted.
Awards
The juror will select two tapestries to be awarded the First and Second Place Teitelbaum Awards. These awards are made possible by the Teitelbaum Legacy Gift to ATA. The First Place award winner will receive $300 and the Second Place award winner will receive $200
Online Application: http://americantapestryalliance.org/american-tapestry-biennial-10-online-entry-form/
Download Prospectus: http://americantapestryalliance.org/wp-content/uploads/2012/12/ATB-10-entry-form.pdf
More information available on website: http://americantapestryalliance.org/exhibitions/atbiennials/
Questions? Contact ATB 10 Co-Chairs, Connie Lippert, connie@connielippert.com; or Rebecca Mezoff, rebecca.mezoff@gmail.com
American Tapestry Biennial 10
American Tapestry Alliance
Mid April 2014 - Late January 2015
The American Tapestry Alliance is a not-for-profit, member-supported organization seeking to exhibit the best of contemporary tapestry. Since 1986 ATA has sponsored a biennial, juried exhibition. ATA invites submissions from tapestry artists around the world. The intention of this show is to include not only artists who work within more traditional definitions of tapestry, but also those artists whose work expands upon the core principles of the medium as it explores new techniques and processes.
This is the only ATA show that accepts larger tapestries and so we welcome them.
Entry to ATB 10 is open to all tapestry artists who design and weave their own tapestries (defined as “hand-woven, weft-faced fabric with discontinuous wefts”), either individually or collaboratively (all assistants shall be named). Multimedia work will be considered as long as the primary medium is tapestry. Entries must be one-of-a-kind and have been completed after January 2010. Entries may not have been shown previously in any ATA exhibition, including the Unjuried Small Format show. Artists may submit up to three pieces, but a maximum of one piece per artist will be accepted.
Awards
The juror will select two tapestries to be awarded the First and Second Place Teitelbaum Awards. These awards are made possible by the Teitelbaum Legacy Gift to ATA. The First Place award winner will receive $300 and the Second Place award winner will receive $200
Online Application: http://americantapestryalliance.org/american-tapestry-biennial-10-online-entry-form/
Download Prospectus: http://americantapestryalliance.org/wp-content/uploads/2012/12/ATB-10-entry-form.pdf
More information available on website: http://americantapestryalliance.org/exhibitions/atbiennials/
Questions? Contact ATB 10 Co-Chairs, Connie Lippert, connie@connielippert.com; or Rebecca Mezoff, rebecca.mezoff@gmail.com
Tuesday, September 25, 2012
Southeast Guild of Bookworkers Juried Exhibition
Deadline: October 31, 2012 (EMAIL)
Southeast Guild of Bookworkers (SEGBW)
Juried Exhibition
Ashville, NC
January 5 - February 24, 2013
The South East Chapter of the Guild of Book Workers is very pleased to announce a call for entries for an exhibition.
Eligibility: The Southeast Guild of Bookworkers (SEGBW) is pleased to invite all book artists that working and living in the Southeastern United States and any
SEGBW and Asheville Bookworks members to enter the this exhibition.
The exhibition will be held at BookWorks in Ashville, NC.
Award: A Best In Show award of $100.00
Juror: Laurie Corral, founder/director of BookWorks, Asheville, NC.
Size Limitations: Space is limited. Due to case size and exhibition space, work may not exceed 18” in any direction
Submission Requirements: All structure’s of artists’ books, one of a kind or limited editions are eligible.
Fee per Artist: $20.00 per entry for SEGBW and BookWorks members, $30.00 for non-members. Artists may submit up to two (2) works of art completed within the
last two years. Up to 3 images are allowed of each work. One full and 2 details.
Submission: Complete the entry form and e-mail entry and supporting documentation to SEGBWexhibitions@gmail.com
Visit website for complete details including link to entry form: http://segbwnews.blogspot.com/2012/09/juried-exhibition-call-for-entries.html
Southeast Guild of Bookworkers (SEGBW)
Juried Exhibition
Ashville, NC
January 5 - February 24, 2013
The South East Chapter of the Guild of Book Workers is very pleased to announce a call for entries for an exhibition.
Eligibility: The Southeast Guild of Bookworkers (SEGBW) is pleased to invite all book artists that working and living in the Southeastern United States and any
SEGBW and Asheville Bookworks members to enter the this exhibition.
The exhibition will be held at BookWorks in Ashville, NC.
Award: A Best In Show award of $100.00
Juror: Laurie Corral, founder/director of BookWorks, Asheville, NC.
Size Limitations: Space is limited. Due to case size and exhibition space, work may not exceed 18” in any direction
Submission Requirements: All structure’s of artists’ books, one of a kind or limited editions are eligible.
Fee per Artist: $20.00 per entry for SEGBW and BookWorks members, $30.00 for non-members. Artists may submit up to two (2) works of art completed within the
last two years. Up to 3 images are allowed of each work. One full and 2 details.
Submission: Complete the entry form and e-mail entry and supporting documentation to SEGBWexhibitions@gmail.com
Visit website for complete details including link to entry form: http://segbwnews.blogspot.com/2012/09/juried-exhibition-call-for-entries.html
Friday, April 27, 2012
Artistbook 2012|2013
Deadline: October 31, 2012 (EMAIL)
Artistbook 2012|2013
NOPX & Phos
Torino, Italia
NOPX|limitededitionpics in collaboration with Phos, Multipurpose Center for Photography and the Visual Arts, announces the International Competition of Artist Book NOPX|artistbooks 2012.
Competition Rules
Art. 1 - Purpose
The aim of the competition is to stimulate and encourage research into the artist's book and promote the selected artists with an exhibition at the exhibition space NOPX in Turin and an artist residence (aimed at creating a project and an exhibition) at PHOS Multipurpose Center for Photography and Visual Arts in Chieri.
15 artists, selected by the jury, will take part to a group exhibition in NOPX and a contribution of 300 euro will be given for the project selected as the winner. !e competition also provides a special prize, the PHOS prize, which consists in a residence at the guesthouse in the center PHOS in Chieri.
The residence will have a duration of 2 weeks (in spring of 2013), precise date to be agreed between the artist and members of PHOS. The residence provides coverage of housing costs plus the expenses for the realization of the exhibition (not covered board and travel expenses). The artist residence represents a moment of great confrontation and training for the artist himself, being connected to the direct experience in the host territory.
Art. 2 - Eligible Participants
No specific qualifications are required from the artists in order to apply. The Competition is addressed to any artist or group of artists, professional or not, Italians or foreigners, that are at least 18 years.
Art. 3 - Eligible Artworks
Each artist or group of artists can apply with just one book project. Subject, shape, size, materials and technique of the book are up to the artist and not restricted by any condition. The book project must not have been already awarded a prize or mentioned in any previous competition at the time of the application.
Registration Fee: € 10.00
Download regulations 2012|2013.pdf
Download application form.pdf
Visit website for more details: http://www.phos-sito.eu/PHOS_home_english
NOPX
Via Saluzzo 30
10125 Torino
Italia
www.nopx.it
info@nopx.it
PHOS
Via Garibaldi 35bis
10023 Chieri_Torino
Italia
www.phos-sito.eu
info@phos-sito.eu
Artistbook 2012|2013
NOPX & Phos
Torino, Italia
NOPX|limitededitionpics in collaboration with Phos, Multipurpose Center for Photography and the Visual Arts, announces the International Competition of Artist Book NOPX|artistbooks 2012.
Competition Rules
Art. 1 - Purpose
The aim of the competition is to stimulate and encourage research into the artist's book and promote the selected artists with an exhibition at the exhibition space NOPX in Turin and an artist residence (aimed at creating a project and an exhibition) at PHOS Multipurpose Center for Photography and Visual Arts in Chieri.
15 artists, selected by the jury, will take part to a group exhibition in NOPX and a contribution of 300 euro will be given for the project selected as the winner. !e competition also provides a special prize, the PHOS prize, which consists in a residence at the guesthouse in the center PHOS in Chieri.
The residence will have a duration of 2 weeks (in spring of 2013), precise date to be agreed between the artist and members of PHOS. The residence provides coverage of housing costs plus the expenses for the realization of the exhibition (not covered board and travel expenses). The artist residence represents a moment of great confrontation and training for the artist himself, being connected to the direct experience in the host territory.
Art. 2 - Eligible Participants
No specific qualifications are required from the artists in order to apply. The Competition is addressed to any artist or group of artists, professional or not, Italians or foreigners, that are at least 18 years.
Art. 3 - Eligible Artworks
Each artist or group of artists can apply with just one book project. Subject, shape, size, materials and technique of the book are up to the artist and not restricted by any condition. The book project must not have been already awarded a prize or mentioned in any previous competition at the time of the application.
Registration Fee: € 10.00
Download regulations 2012|2013.pdf
Download application form.pdf
Visit website for more details: http://www.phos-sito.eu/PHOS_home_english
NOPX
Via Saluzzo 30
10125 Torino
Italia
www.nopx.it
info@nopx.it
PHOS
Via Garibaldi 35bis
10023 Chieri_Torino
Italia
www.phos-sito.eu
info@phos-sito.eu
Friday, March 23, 2012
Small Tapestry International 3: Outside the Line
Deadline: October 31, 2012 (RECEIVE) OR (ONLINE)
Small Tapestry International 3: Outside the Line
The American Tapestry Alliance
The American Tapestry Alliance is pleased to announce Small Tapestry International 3: Outside the Line, a juried, international exhibition of small-scale tapestries. Artists are encouraged to explore the conceptual, technical and metaphorical implications of the theme, Outside the Line, as they develop work to submit.
Innovation and experimentation within the technique of handwoven tapestry are welcomed Outside the Line asks you to first consider the concept of line. Is it a geometric concept of “breadthless length” or a mark made in art? Is it an indication of boundaries, border or limits, or is it a course of action or policy? Is line a series of generations descended from a common ancestor or the words an actor says in a play? How do you express being outside the line?
Eligibility
Entry to STI3: Outside the Line is open to all tapestry artists who design and weave their own tapestries (defined as “hand-woven, weft-faced fabric with discontinuous wefts”), either individually or collaboratively (all assistants shall be named). Multimedia work will be considered as long as the primary medium is tapestry. Entries must be one-of-a-kind and have been completed after January 2011. Entries may not have been shown previously in any ATA exhibition, including the Unjuried Small Format show. Artists may submit up to three pieces, but a maximum of one piece per artist will be accepted.
Juror
Hesse McGraw, Chief Curator of Exhibitions and Projects at the Bemis Center in Omaha, Nebraska.
Tetitelbaum Awards
Through the generosity of the Teitelbaum Legacy Gift, STI 3 entries are eligible for the Teitelbaum Family Awards. First Place-$300.00 and Second Place-$200.00. The recipients of the awards will be determined by the juror.
Submission Information
The juror will select tapestries from digital images. Image quality may influence the juror's decision. Only completed tapestries will be juried.
Notification of Juror's Decision: January 31, 2013
Entry Fees
$35.00 ATA members
$45.00 Non-Members
$70.00 Entry Fee & ATA Membership
Visit website for more details: http://americantapestryalliance.org/small-tapestry-international-3-outsidethe-line
Download Entry Form: http://americantapestryalliance.org/STI3-Entry-Form.pdf
View Online Entry Form: http://americantapestryalliance.org/small-tapestry-international-3-online-entry-form/
Questions? Contact STI 3 Chair, Terry Olson: STI3Chair@gmail.com, (503) 880-0722
http://americantapestryalliance.org
Small Tapestry International 3: Outside the Line
The American Tapestry Alliance
The American Tapestry Alliance is pleased to announce Small Tapestry International 3: Outside the Line, a juried, international exhibition of small-scale tapestries. Artists are encouraged to explore the conceptual, technical and metaphorical implications of the theme, Outside the Line, as they develop work to submit.
Innovation and experimentation within the technique of handwoven tapestry are welcomed Outside the Line asks you to first consider the concept of line. Is it a geometric concept of “breadthless length” or a mark made in art? Is it an indication of boundaries, border or limits, or is it a course of action or policy? Is line a series of generations descended from a common ancestor or the words an actor says in a play? How do you express being outside the line?
Eligibility
Entry to STI3: Outside the Line is open to all tapestry artists who design and weave their own tapestries (defined as “hand-woven, weft-faced fabric with discontinuous wefts”), either individually or collaboratively (all assistants shall be named). Multimedia work will be considered as long as the primary medium is tapestry. Entries must be one-of-a-kind and have been completed after January 2011. Entries may not have been shown previously in any ATA exhibition, including the Unjuried Small Format show. Artists may submit up to three pieces, but a maximum of one piece per artist will be accepted.
Juror
Hesse McGraw, Chief Curator of Exhibitions and Projects at the Bemis Center in Omaha, Nebraska.
Tetitelbaum Awards
Through the generosity of the Teitelbaum Legacy Gift, STI 3 entries are eligible for the Teitelbaum Family Awards. First Place-$300.00 and Second Place-$200.00. The recipients of the awards will be determined by the juror.
Submission Information
The juror will select tapestries from digital images. Image quality may influence the juror's decision. Only completed tapestries will be juried.
Notification of Juror's Decision: January 31, 2013
Entry Fees
$35.00 ATA members
$45.00 Non-Members
$70.00 Entry Fee & ATA Membership
Visit website for more details: http://americantapestryalliance.org/small-tapestry-international-3-outsidethe-line
Download Entry Form: http://americantapestryalliance.org/STI3-Entry-Form.pdf
View Online Entry Form: http://americantapestryalliance.org/small-tapestry-international-3-online-entry-form/
Questions? Contact STI 3 Chair, Terry Olson: STI3Chair@gmail.com, (503) 880-0722
http://americantapestryalliance.org
Friday, October 07, 2011
“New Beat” International Student Concours
Deadline: 31 October 2011 (ONLINE)
“New Beat”
International Student Concours
Fashion Gallery
The Hong Kong Polytechnic University
Hung Hom, Kowloon, Hong Kong
People's Rep. of China
5 Dec 2011 – 18 Jan 2012
As one of the oldest forms of technology known to human kind, textile technology (making of cloth) has a long history of invention. This exhibition celebrates new explorations in textiles and creative problem solving propelled by curiosity – the synthesis of a ‘new beat.’
New Beat is a juried competition featuring select works by international design students who demonstrate inspired creativity through material manipulation. Resist dyeing, such as shibori, is a specific form of traditionally patterning cloth via manipulation and dye. Its versatility combined with modern technology has gained popular appeal with contemporary artists, including major fashion icons Issey Miyake, Oscar de la Renta and Prada. Bridging this gap between traditional and contemporary poses an interesting challenge, one that the truly imaginative and creative seize as an opportunity to travel new paths in textile’s future.
Entry Fee: $15 per entry
Up to 3 entries may be submitted per artist or collaborative group
Download prospectus: http://8iss.files.wordpress.com/2011/04/iss11-newbeat-call_1001.pdf
Full details on website: http://8iss.wordpress.com/calls/cal-for-artists/
Fashion Gallery, Venue Contact: Miss Yuki Cheng tcyuki@inet.polyu.edu.hk Tel: 852-2766 6511 Fax: 852-2773 1432
New Beat ISS Exhibition
C/o Miss Yuki Cheng
The Fashion Gallery
ITC Fashion & Textiles Resource Centre, MN109
The Hong Kong Polytechnic University
Hung Hom, Kowloon, Hong Kong
PEOPLE’S REP. OF CHINA
“New Beat”
International Student Concours
Fashion Gallery
The Hong Kong Polytechnic University
Hung Hom, Kowloon, Hong Kong
People's Rep. of China
5 Dec 2011 – 18 Jan 2012
As one of the oldest forms of technology known to human kind, textile technology (making of cloth) has a long history of invention. This exhibition celebrates new explorations in textiles and creative problem solving propelled by curiosity – the synthesis of a ‘new beat.’
New Beat is a juried competition featuring select works by international design students who demonstrate inspired creativity through material manipulation. Resist dyeing, such as shibori, is a specific form of traditionally patterning cloth via manipulation and dye. Its versatility combined with modern technology has gained popular appeal with contemporary artists, including major fashion icons Issey Miyake, Oscar de la Renta and Prada. Bridging this gap between traditional and contemporary poses an interesting challenge, one that the truly imaginative and creative seize as an opportunity to travel new paths in textile’s future.
Entry Fee: $15 per entry
Up to 3 entries may be submitted per artist or collaborative group
Download prospectus: http://8iss.files.wordpress.com/2011/04/iss11-newbeat-call_1001.pdf
Full details on website: http://8iss.wordpress.com/calls/cal-for-artists/
Fashion Gallery, Venue Contact: Miss Yuki Cheng tcyuki@inet.polyu.edu.hk Tel: 852-2766 6511 Fax: 852-2773 1432
New Beat ISS Exhibition
C/o Miss Yuki Cheng
The Fashion Gallery
ITC Fashion & Textiles Resource Centre, MN109
The Hong Kong Polytechnic University
Hung Hom, Kowloon, Hong Kong
PEOPLE’S REP. OF CHINA
Friday, September 23, 2011
Printmaker in Residence Program 2011
Deadline: October 31, 2011 (RECEIVE)
Printmaker in Residence Program 2011
Megalo Print Studios
Canberra ACT
Australia
1 February 2012 to 9 December 2012
Megalo runs an annual residency program open to Australian and international printmakers at all stages of their careers. Megalo's Printmaker-in-Residence Program provides participants with a stipend and six weeks access to the Megalo Print Studios in Canberra. Participants have a choice of equipment and facilities including screen-printing on fabric or paper, etching, lithography and relief printing. The purpose of the residencies is to support the making of new work that meets the program objectives of excellence and innovation.
Selected artists will receive:
A living allowance of $2,000
Materials allowance of $300.00
Extended access to the Megalo workshops for a period of 6 weeks
A place in the residency exhibition at the Megalo Gallery in 2012.
International/interstate artists my also apply for an additional travel and accommodation subsidy of up to $AUD2,200 (international) and up to $AUD1,200 (interstate).
Eligibility and selection of artists
Up to four places within the program are open to Megalo members and artists living in the ACT and region. One position is reserved for a visiting artist from interstate or overseas. Program participants should not be engaged in undergraduate studies in the year of the residency. All applicants notified of the selection panel's decision: Friday 9 December 2011
It is expected that all printmakers-in-residence will be proficient in the print media in which they intend to work, unless a specific understanding has been established between Megalo and the artist through the application process. Applications from artists who are not printmakers will be considered where the artist intends to share or assign the stipend to a printmaker who will be responsible for production of their prints, any such arrangements should be clearly explained within the application.
Application Process
Applications must use the Printmaker In Residence application form available by emailing info@megalo.org
Selection will be undertaken by a panel and consider the merits of written proposal, availability of equipment and expertise, contribution made by the residency to Megalo's overall program, as well as examples of recent print-based art work.
Applications must be posted to Megalo, 49 Phillip Avenue, Watson ACT 2602, Australia. Emailed applications will NOT be accepted.
Contribution from participants
Participating artists will contribute a representative body of work produced during the residency to the Megalo archive. The archive collection is used for the purposes of exhibition and scholarly research. Artists will be asked to present and discuss their work at a forum of Megalo members. Megalo will have the right to reproduce work made by residents for future promotion of Megalo programs but will in all such instances acknowledge the artist as being the maker of the work.
Visit website for more details: www.megalo.org/residencies/pir-program
Megalo Print Studios
Canberra Technology Park
49 Phillip Ave
WATSON ACT 2602
Australia
P: +61 2 6241 4844
F: +61 2 6241 4844
E: info@megalo.org
Printmaker in Residence Program 2011
Megalo Print Studios
Canberra ACT
Australia
1 February 2012 to 9 December 2012
Megalo runs an annual residency program open to Australian and international printmakers at all stages of their careers. Megalo's Printmaker-in-Residence Program provides participants with a stipend and six weeks access to the Megalo Print Studios in Canberra. Participants have a choice of equipment and facilities including screen-printing on fabric or paper, etching, lithography and relief printing. The purpose of the residencies is to support the making of new work that meets the program objectives of excellence and innovation.
Selected artists will receive:
A living allowance of $2,000
Materials allowance of $300.00
Extended access to the Megalo workshops for a period of 6 weeks
A place in the residency exhibition at the Megalo Gallery in 2012.
International/interstate artists my also apply for an additional travel and accommodation subsidy of up to $AUD2,200 (international) and up to $AUD1,200 (interstate).
Eligibility and selection of artists
Up to four places within the program are open to Megalo members and artists living in the ACT and region. One position is reserved for a visiting artist from interstate or overseas. Program participants should not be engaged in undergraduate studies in the year of the residency. All applicants notified of the selection panel's decision: Friday 9 December 2011
It is expected that all printmakers-in-residence will be proficient in the print media in which they intend to work, unless a specific understanding has been established between Megalo and the artist through the application process. Applications from artists who are not printmakers will be considered where the artist intends to share or assign the stipend to a printmaker who will be responsible for production of their prints, any such arrangements should be clearly explained within the application.
Application Process
Applications must use the Printmaker In Residence application form available by emailing info@megalo.org
Selection will be undertaken by a panel and consider the merits of written proposal, availability of equipment and expertise, contribution made by the residency to Megalo's overall program, as well as examples of recent print-based art work.
Applications must be posted to Megalo, 49 Phillip Avenue, Watson ACT 2602, Australia. Emailed applications will NOT be accepted.
Contribution from participants
Participating artists will contribute a representative body of work produced during the residency to the Megalo archive. The archive collection is used for the purposes of exhibition and scholarly research. Artists will be asked to present and discuss their work at a forum of Megalo members. Megalo will have the right to reproduce work made by residents for future promotion of Megalo programs but will in all such instances acknowledge the artist as being the maker of the work.
Visit website for more details: www.megalo.org/residencies/pir-program
Megalo Print Studios
Canberra Technology Park
49 Phillip Ave
WATSON ACT 2602
Australia
P: +61 2 6241 4844
F: +61 2 6241 4844
E: info@megalo.org
Cheraw State Park: Artist-in-Residence Program
Deadline: October 31, 2011 (POSTMARK)
Artist-in-Residence Program
Cheraw State Park
Cheraw SC
2012 SEASON
The Artist-in-Residence program provides artists with the opportunity to gain inspiration from the natural and cultural resources of South Carolina State Parks. The Artist-in-Residence program is open to all artists whose work can interpret the park’s natural and/or cultural resources. We offer painters, photographers, potters, sculptors, weavers and other artists the opportunity to capture the natural and historical resources of South Carolina State Parks. Collaborative proposals will be considered.
THE SELECTION PROCESS
A jury will be comprised of state park representatives. The selected artist will be assigned a South Carolina State Park with overnight cabin facilities. Their residency date will be determined by the availability of the cabins per their assigned park. The Artist-In-Residence program is open to all art forms, but those that manipulate or disturb the park’s resources, or utilize materials from endangered or threatened species will be excluded. Collecting materials from state park property is not permitted.
Selections are made without regard to race, religion, marital status, sex, age or national origin.
Application fee: $15 application fee (nonrefundable)
Download Entry Form and Guidelines: www.southcarolinaparks.com/CHE-AIR-App2012.pdf
Visit website: www.southcarolinaparks.com
For more information: call 843-537-9656 or email mdavies@scprt.com subject line AIR 2011
Artist-in-Residence Program
Cheraw State Park
100 State Park Rd
Cheraw SC 29520
Artist-in-Residence Program
Cheraw State Park
Cheraw SC
2012 SEASON
The Artist-in-Residence program provides artists with the opportunity to gain inspiration from the natural and cultural resources of South Carolina State Parks. The Artist-in-Residence program is open to all artists whose work can interpret the park’s natural and/or cultural resources. We offer painters, photographers, potters, sculptors, weavers and other artists the opportunity to capture the natural and historical resources of South Carolina State Parks. Collaborative proposals will be considered.
THE SELECTION PROCESS
A jury will be comprised of state park representatives. The selected artist will be assigned a South Carolina State Park with overnight cabin facilities. Their residency date will be determined by the availability of the cabins per their assigned park. The Artist-In-Residence program is open to all art forms, but those that manipulate or disturb the park’s resources, or utilize materials from endangered or threatened species will be excluded. Collecting materials from state park property is not permitted.
Selections are made without regard to race, religion, marital status, sex, age or national origin.
Application fee: $15 application fee (nonrefundable)
Download Entry Form and Guidelines: www.southcarolinaparks.com/CHE-AIR-App2012.pdf
Visit website: www.southcarolinaparks.com
For more information: call 843-537-9656 or email mdavies@scprt.com subject line AIR 2011
Artist-in-Residence Program
Cheraw State Park
100 State Park Rd
Cheraw SC 29520
Thursday, September 15, 2011
Deadline: October 31, 2011 by 5:00pm (HAND DELIVERY) or (POSTMARK)
Jack Straw Productions
Artist Residency Programs
Seattle, WA
2012 Program
THE JACK STRAW ARTIST RESIDENCY PROGRAMS offer established and emerging artists in diverse disciplines an opportunity to explore the creative use of sound in a professional atmosphere through residencies in our recording studios and participation in our various presentation programs.
ELIGIBILITY
Established and emerging artists working in any discipline or genre may apply to any one of the residency programs offered. Artists living outside of the Puget Sound region may apply, but should be aware that expenses for travel, lodging, etc. are not included in the award.
Current Jack Straw staff, interns, board members, or their immediate family members may not apply. Artists participating in 2011 programs may not apply again for the same program in 2012; however, they may apply for a program in which they did not participate in the previous calendar year.
SELECTION PROCESS
Artist Support Program applications are evaluated and awarded by a multidisciplinary selection panel. The panelists change each year, and are all established artists and arts professionals invited by Jack Straw staff. The names of the panelists will be made public after the selection process has been completed. All applicants will be notified of the results in writing. Please allow at least twelve weeks after deadline dates for the review and notification process to be completed.
SELECTION CRITERIA
The process can be highly competitive depending on the number and range of applications. Panelists will base their selections upon the excellence of the work represented in the support materials provided by the applicant; the artistic merit of the proposed project; the feasibility of the proposed project; and the subjective response of the panelists to the applicant’s proposal/work in comparison to the other submissions received.
Download Program Application & Guidelines: doc OR pdf format
www.jackstraw.org/2012_ASP_Program_App.pdf
www.jackstraw.org/2012_ASP_Program_App.doc
QUESTIONS? Refer to the Frequently Asked Questions on the website: www.jackstraw.org/2012_Programs_FAQs. If your question is not answered, please call (206) 634-0919 or e-mail arts@jackstraw.org
Jack Straw Productions
4261 Roosevelt Way NE
Seattle, WA 98105
Jack Straw Productions
Artist Residency Programs
Seattle, WA
2012 Program
THE JACK STRAW ARTIST RESIDENCY PROGRAMS offer established and emerging artists in diverse disciplines an opportunity to explore the creative use of sound in a professional atmosphere through residencies in our recording studios and participation in our various presentation programs.
ELIGIBILITY
Established and emerging artists working in any discipline or genre may apply to any one of the residency programs offered. Artists living outside of the Puget Sound region may apply, but should be aware that expenses for travel, lodging, etc. are not included in the award.
Current Jack Straw staff, interns, board members, or their immediate family members may not apply. Artists participating in 2011 programs may not apply again for the same program in 2012; however, they may apply for a program in which they did not participate in the previous calendar year.
SELECTION PROCESS
Artist Support Program applications are evaluated and awarded by a multidisciplinary selection panel. The panelists change each year, and are all established artists and arts professionals invited by Jack Straw staff. The names of the panelists will be made public after the selection process has been completed. All applicants will be notified of the results in writing. Please allow at least twelve weeks after deadline dates for the review and notification process to be completed.
SELECTION CRITERIA
The process can be highly competitive depending on the number and range of applications. Panelists will base their selections upon the excellence of the work represented in the support materials provided by the applicant; the artistic merit of the proposed project; the feasibility of the proposed project; and the subjective response of the panelists to the applicant’s proposal/work in comparison to the other submissions received.
Download Program Application & Guidelines: doc OR pdf format
www.jackstraw.org/2012_ASP_Program_App.pdf
www.jackstraw.org/2012_ASP_Program_App.doc
QUESTIONS? Refer to the Frequently Asked Questions on the website: www.jackstraw.org/2012_Programs_FAQs. If your question is not answered, please call (206) 634-0919 or e-mail arts@jackstraw.org
Jack Straw Productions
4261 Roosevelt Way NE
Seattle, WA 98105
Smithsonian Institution: Outwin Boochever Portrait Competition 2013
Deadline: October 31, 2011 midnight MT {Mountain Time} (ONLINE)
The Outwin Boochever Portrait Competition 2013
Smithsonian Institution
National Portrait Gallery
Donald W. Reynolds Center for American Art and Portraiture
Washington DC
March 22, 2013 to January 4, 2014
The Outwin Boochever Portrait Competition is currently scheduled as a triennial event. OBPC 2013 is open to all visual arts media.
Who May Enter
The competition is open to all artists, 18 years of age and older (as of January 1, 2011), who are legal residents of the United States or its territories with an address in the United States at the time of the competition. Employees, volunteers or interns, Regents, and members of advisory boards of the Smithsonian Institution and their immediate families (children, siblings, and spouses), competition sponsors, employees or immediate families of the judges, and their respective agents are not eligible. No work previously submitted for this competition is eligible for resubmission, but artists included in previous competitions may enter again, with the exception of the first-prize winner in a previous Outwin Boochever Portrait Competition.
What to Enter
The work entered should be understood as a portrait in the broadest sense. It may be a traditional, representational work or it may be a more experimental portrait, but it must be based on the artist’s direct contact with any living individual (s). Self-portraits will be accepted.
Each artist may enter only one portrait, and it must have been completed after January 1, 2010.
Entries will be accepted in all visual arts media, including, but not restricted to: painting, drawing and watercolor, sculpture, weaving, ceramics, photography, prints, video, film, and other digital or time-based media.
Paintings, drawings, pastels and watercolors should be framed (strip frames are acceptable). Paintings should preferably be unglazed. Works on paper should be framed and glazed with UV filter glass or plexiglass. All two-dimensional work shall measure no more than 7 feet by 7 feet by 8 inches (including frame), nor should they weigh more than 150 pounds. The National Portrait Gallery will provide attachment hardware for works selected for exhibition.
Photographs and prints should be framed and glazed with UV filter glass or plexiglass. All two-dimensional works must measure no more than 7 feet by 7 feet by 8 inches (including frame), nor should they weigh more than 150 pounds. The National Portrait Gallery will provide attachment hardware for works selected for exhibition.
Sculptures may be freestanding or wall-mounted and may be composed of any sculptural medium. This includes, but is not limited to, stone, metal, fiber, clay, wood, paper, or resin. Sculptures should not exceed 7 feet (height) by 7 feet by 4 feet in size, nor should they weigh more than 150 pounds. The National Portrait Gallery will provide platforms, pedestals, or attachment hardware for sculpture selected for exhibition.
Video, film, digital and time-based media will be accepted, and special instructions for entering these works will be available in the online entry form. The online entry form MUST be completed.
Entry Method
The first round of jurying will be done online via Café.org/WESTAF so DO NOT send the original artwork. Online entry is required via this Web site and Café.org/WESTAF. Check the website for complete details. www.portraitcompetition.si.edu.
Online entry and image: You will need to fill out an online entry form and upload at least one image to the competition Web site via Café.org/WESTAF. You may submit up to 2 JPEG images of your portrait.
For online entry with uploaded images, the fee is $35, payable by credit card. All fees are nonrefundable.
The National Portrait Gallery reserves the right to limit the number of entries accepted and may close online entry at any time between September 1 and October 31, 2011.
Judging
Judging will be done by a panel of experts selected by the National Portrait Gallery, who will initially select approximately 100 semifinalists. On or before April 15, 2012, the National Portrait Gallery will contact artists who have been selected as semifinalists by e-mail.
Artists whose work was not selected for further consideration will also be notified at this time.
Prizes
The grand prize is $25,000. The winner will also have an opportunity for a commission to create a portrait of a remarkable living American for the National Portrait Gallery’s permanent collection. The artist and the National Portrait Gallery will work together to select the subject of the portrait and the fee for the commission.
The second prize will be $7,500. The third prize will be $5,000. The judges may commend up to four additional works with prizes of $1,000 each. The People’s Choice Award winner will receive $500.
The decision of the judges is final, and no challenges will be permitted.
Winners of cash prizes are responsible for all taxes due on such awards.
Visit website for complete details including rules of entry: www.npg.si.edu/competition/about
After reading the rules and FAQs, if you have questions about the competition or entry process, email: portraitcompetition@si.edu
Smithsonian Institution
Donald W. Reynolds Center for
American Art and Portraiture
National Portrait Gallery
Eighth and F streets N.W.
Washington DC
The Outwin Boochever Portrait Competition 2013
Smithsonian Institution
National Portrait Gallery
Donald W. Reynolds Center for American Art and Portraiture
Washington DC
March 22, 2013 to January 4, 2014
The Outwin Boochever Portrait Competition is currently scheduled as a triennial event. OBPC 2013 is open to all visual arts media.
Who May Enter
The competition is open to all artists, 18 years of age and older (as of January 1, 2011), who are legal residents of the United States or its territories with an address in the United States at the time of the competition. Employees, volunteers or interns, Regents, and members of advisory boards of the Smithsonian Institution and their immediate families (children, siblings, and spouses), competition sponsors, employees or immediate families of the judges, and their respective agents are not eligible. No work previously submitted for this competition is eligible for resubmission, but artists included in previous competitions may enter again, with the exception of the first-prize winner in a previous Outwin Boochever Portrait Competition.
What to Enter
The work entered should be understood as a portrait in the broadest sense. It may be a traditional, representational work or it may be a more experimental portrait, but it must be based on the artist’s direct contact with any living individual (s). Self-portraits will be accepted.
Each artist may enter only one portrait, and it must have been completed after January 1, 2010.
Entries will be accepted in all visual arts media, including, but not restricted to: painting, drawing and watercolor, sculpture, weaving, ceramics, photography, prints, video, film, and other digital or time-based media.
Paintings, drawings, pastels and watercolors should be framed (strip frames are acceptable). Paintings should preferably be unglazed. Works on paper should be framed and glazed with UV filter glass or plexiglass. All two-dimensional work shall measure no more than 7 feet by 7 feet by 8 inches (including frame), nor should they weigh more than 150 pounds. The National Portrait Gallery will provide attachment hardware for works selected for exhibition.
Photographs and prints should be framed and glazed with UV filter glass or plexiglass. All two-dimensional works must measure no more than 7 feet by 7 feet by 8 inches (including frame), nor should they weigh more than 150 pounds. The National Portrait Gallery will provide attachment hardware for works selected for exhibition.
Sculptures may be freestanding or wall-mounted and may be composed of any sculptural medium. This includes, but is not limited to, stone, metal, fiber, clay, wood, paper, or resin. Sculptures should not exceed 7 feet (height) by 7 feet by 4 feet in size, nor should they weigh more than 150 pounds. The National Portrait Gallery will provide platforms, pedestals, or attachment hardware for sculpture selected for exhibition.
Video, film, digital and time-based media will be accepted, and special instructions for entering these works will be available in the online entry form. The online entry form MUST be completed.
Entry Method
The first round of jurying will be done online via Café.org/WESTAF so DO NOT send the original artwork. Online entry is required via this Web site and Café.org/WESTAF. Check the website for complete details. www.portraitcompetition.si.edu.
Online entry and image: You will need to fill out an online entry form and upload at least one image to the competition Web site via Café.org/WESTAF. You may submit up to 2 JPEG images of your portrait.
For online entry with uploaded images, the fee is $35, payable by credit card. All fees are nonrefundable.
The National Portrait Gallery reserves the right to limit the number of entries accepted and may close online entry at any time between September 1 and October 31, 2011.
Judging
Judging will be done by a panel of experts selected by the National Portrait Gallery, who will initially select approximately 100 semifinalists. On or before April 15, 2012, the National Portrait Gallery will contact artists who have been selected as semifinalists by e-mail.
Artists whose work was not selected for further consideration will also be notified at this time.
Prizes
The grand prize is $25,000. The winner will also have an opportunity for a commission to create a portrait of a remarkable living American for the National Portrait Gallery’s permanent collection. The artist and the National Portrait Gallery will work together to select the subject of the portrait and the fee for the commission.
The second prize will be $7,500. The third prize will be $5,000. The judges may commend up to four additional works with prizes of $1,000 each. The People’s Choice Award winner will receive $500.
The decision of the judges is final, and no challenges will be permitted.
Winners of cash prizes are responsible for all taxes due on such awards.
Visit website for complete details including rules of entry: www.npg.si.edu/competition/about
After reading the rules and FAQs, if you have questions about the competition or entry process, email: portraitcompetition@si.edu
Smithsonian Institution
Donald W. Reynolds Center for
American Art and Portraiture
National Portrait Gallery
Eighth and F streets N.W.
Washington DC
Monday, April 18, 2011
American Tapestry Biennial 9
Deadline: October 31, 2011 (RECEIVE)
American Tapestry Biennial 9
American Tapestry Alliance
The American Tapestry Alliance is a not-for-profit, member-supported organization seeking to exhibit the best of contemporary tapestry. Since 1986 ATA has sponsored a biennial, juried exhibition. ATA invites submissions from all tapestry artists for ATB 9. The intention of this show is to include not only artists who work within more traditional definitions of tapestry structure, but also those artists whose work expands upon the core principles of the medium as it explores new techniques and processes.
Eligibility
Entry to ATB 9 is open to all artists who design and weave their own tapestries (defined as "handwoven, weft-faced fabric with discontinuous wefts") either individually or collaboratively (all assistants shall be named). Entries must be one-of-a-kind and have been completed after January 2008. Entries may not have been shown previously in any ATA exhibition, including the Unjuried Small Format show. Artists may submit up to three pieces, but a maximum of one piece per artist will be accepted.
Submissions (truncated)
• The juror will select tapestries from digital images; image quality may influence the juror’s decision. Only completed tapestries will be juried.
• For each entry, send two digital images, one of the entire piece, and one detail. Submit your images on a universal CD.
Conditions
• Artists are responsible for all shipping and insurance costs to the first venue and for the return shipping and insurance costs from the final venue.
• Entries not accompanied with the completed form, CD and fees cannot be juried.
• Work that differs significantly from the CD submission will be excluded from the exhibition.
• Complete exhibition instructions will be sent to the accepted artists. Accepted works not completely prepared for installation may be returned.
• Tapestries must be available for the duration of the exhibition until July 2013.
Awards
The juror will select two tapestries to be awarded the First and Second Place Teitelbaum Awards. These awards are made possible by the Teitelbaum Legacy Gift to ATA. The First Place award winner will receive $300 and the Second Place award winner will receive $200.
Juror
Lee Talbot, Associate Curator, Eastern Hemisphere Collections, The Textile Museum
Entry Fees: $35 ATA Members; $45 Non-Members; $70 Membership and Entry fee
Payable by check, credit card, International Money Order or PayPal
Visit website for more information: www.americantapestryalliance.org
Download entry form:ATB9_Entry_Form.pdf
Questions: Contact Jennifer Sargent, jsargent@mca.edu, or 901.725.0110
American Tapestry Biennial 9
American Tapestry Alliance
The American Tapestry Alliance is a not-for-profit, member-supported organization seeking to exhibit the best of contemporary tapestry. Since 1986 ATA has sponsored a biennial, juried exhibition. ATA invites submissions from all tapestry artists for ATB 9. The intention of this show is to include not only artists who work within more traditional definitions of tapestry structure, but also those artists whose work expands upon the core principles of the medium as it explores new techniques and processes.
Eligibility
Entry to ATB 9 is open to all artists who design and weave their own tapestries (defined as "handwoven, weft-faced fabric with discontinuous wefts") either individually or collaboratively (all assistants shall be named). Entries must be one-of-a-kind and have been completed after January 2008. Entries may not have been shown previously in any ATA exhibition, including the Unjuried Small Format show. Artists may submit up to three pieces, but a maximum of one piece per artist will be accepted.
Submissions (truncated)
• The juror will select tapestries from digital images; image quality may influence the juror’s decision. Only completed tapestries will be juried.
• For each entry, send two digital images, one of the entire piece, and one detail. Submit your images on a universal CD.
Conditions
• Artists are responsible for all shipping and insurance costs to the first venue and for the return shipping and insurance costs from the final venue.
• Entries not accompanied with the completed form, CD and fees cannot be juried.
• Work that differs significantly from the CD submission will be excluded from the exhibition.
• Complete exhibition instructions will be sent to the accepted artists. Accepted works not completely prepared for installation may be returned.
• Tapestries must be available for the duration of the exhibition until July 2013.
Awards
The juror will select two tapestries to be awarded the First and Second Place Teitelbaum Awards. These awards are made possible by the Teitelbaum Legacy Gift to ATA. The First Place award winner will receive $300 and the Second Place award winner will receive $200.
Juror
Lee Talbot, Associate Curator, Eastern Hemisphere Collections, The Textile Museum
Entry Fees: $35 ATA Members; $45 Non-Members; $70 Membership and Entry fee
Payable by check, credit card, International Money Order or PayPal
Visit website for more information: www.americantapestryalliance.org
Download entry form:ATB9_Entry_Form.pdf
Questions: Contact Jennifer Sargent, jsargent@mca.edu, or 901.725.0110
Wednesday, April 06, 2011
OUTSIDE/INSIDE THE BOX
Deadline: October 31, 2011 (ONLINE)
Outside/ Inside the Box
FiberPhiladelphia 2012
Philadelphia, PA
March 2 - April 14, 2012
Outside/Inside the Box will showcase innovative fiber/textile art that transcends disciplines; combines tradition with cutting edge technology and/or historic concepts with contemporary perspective. Size, scope, materials and subject matter are open. Submissions may include surface design, woven, 2D and 3D structures, quilts, stitching, body art, etc.
Outside/ Inside the Box will take place in the main gallery at the Crane Arts Building. The ICE Box Project Space is a free-span 50’x100’ room, with 25’ceilings. The Crane Arts Building will be a hub of activity during FiberPhiladephia. This is an opportunity for all artists to submit work for exhibition during FiberPhiladelphia 2012.
Qualifications
Artists working in any medium with a fiber/textile reference.
-Work submitted must be innovative and original in design.
-Work must have been completed after January 1, 2008.
-Work derivative of other textile artists or work created in an undergraduate program or workshop, with the aid of an instructor, is not acceptable
-There is no size restriction
Fees
Application $40. For 3 works
Jurors
Elisabeth Agro, Nancy M. McNeil Associate Curator of American Modern and Contemporary Crafts and Decorative Arts at the Philadelphia Museum of Art.
Bruce D. Hoffman, Curatorial consultant for Outside/Inside the Box and FiberPhiladelphia 2012. An independent curator, Hoffman lectures on the decorative arts with a focus on contemporary textile and fiber art. The former Director of the Snyderman-Works Gallery, Bruce Hoffman was instrumental in creating the International Fiber Biennial.
Judith Weisman, Principal of Judith S. Weisman Interiors, curates exhibitions and craft collections in the field of contemporary decorative arts. Weisman served on the Board of Trustees of the American Craft Council and is Acquisitions Chair of the Smithsonian’s Renwick Gallery Support Group.
Website: www.outsideinsideentry.com
Outside/ Inside the Box
FiberPhiladelphia 2012
Philadelphia, PA
March 2 - April 14, 2012
Outside/Inside the Box will showcase innovative fiber/textile art that transcends disciplines; combines tradition with cutting edge technology and/or historic concepts with contemporary perspective. Size, scope, materials and subject matter are open. Submissions may include surface design, woven, 2D and 3D structures, quilts, stitching, body art, etc.
Outside/ Inside the Box will take place in the main gallery at the Crane Arts Building. The ICE Box Project Space is a free-span 50’x100’ room, with 25’ceilings. The Crane Arts Building will be a hub of activity during FiberPhiladephia. This is an opportunity for all artists to submit work for exhibition during FiberPhiladelphia 2012.
Qualifications
Artists working in any medium with a fiber/textile reference.
-Work submitted must be innovative and original in design.
-Work must have been completed after January 1, 2008.
-Work derivative of other textile artists or work created in an undergraduate program or workshop, with the aid of an instructor, is not acceptable
-There is no size restriction
Fees
Application $40. For 3 works
Jurors
Elisabeth Agro, Nancy M. McNeil Associate Curator of American Modern and Contemporary Crafts and Decorative Arts at the Philadelphia Museum of Art.
Bruce D. Hoffman, Curatorial consultant for Outside/Inside the Box and FiberPhiladelphia 2012. An independent curator, Hoffman lectures on the decorative arts with a focus on contemporary textile and fiber art. The former Director of the Snyderman-Works Gallery, Bruce Hoffman was instrumental in creating the International Fiber Biennial.
Judith Weisman, Principal of Judith S. Weisman Interiors, curates exhibitions and craft collections in the field of contemporary decorative arts. Weisman served on the Board of Trustees of the American Craft Council and is Acquisitions Chair of the Smithsonian’s Renwick Gallery Support Group.
Website: www.outsideinsideentry.com
Wednesday, February 09, 2011
McMullen Gallery: Call for Proposals
Deadline: March 31, 2010 at 4:00pm (POSTMARK) or (Hand Delivery)
Call for Proposals
McMullen Gallery
University of Alberta Hospital
Edmonton, Alberta
Exhibition Season: May 2011 – April 2012
The McMullen Gallery is a public art space featuring 5-6 engaging, educational, and inspiring exhibits per year. The gallery offers shows in a wide range of styles in a relaxing and positive environment where patients, families and friends can meet to visit, listen to music, enjoy art and relax.
The McMullen Gallery is a 900 sq. ft. gallery consisting of 175 running feet in a highly public, yet secure area - located just inside the main entrance of the University Hospital. The McMullen Gallery is seeking to host both group and solo exhibitions.
GALLERY MANDATE
We provide positive high quality exhibitions that enhance the hospital experience. We are open to a wide variety of styles; both traditional and contemporary approaches that:
• present quality artwork which is visually appealing to a wide variety of audiences
• promotes a positive, respectful healthcare environment
• engage, educate and inspire our visitors of various ages, social, and cultural backgrounds
BUDGET & GALLERY ACTIVITIES
Exhibition Budget:
• The McMullen Gallery will provide artists fees, opening celebration, invitation design, labels and signage.
• Exhibitors will be responsible for any additional costs such as matting and framing, external publicity, insurance and extended publications such as catalogues.
Educational Activities:
• Please indicate if artists are available to lead our drop in studios every Thursday from 2pm – 4pm.
• Please write a description of any additional activities you may wish to provide.
Download Prospectus and Submission Form:
Submission Brochure (pdf)
Submission brochure (doc)
Visit website for additional details: www.capitalhealth.ca/UniversityofAlbertaHospital/McMullenGallery/
For questions, contact:
Diana Young Kennedy
Gallery and Collection Administrator
780.407.7152
diana.youngkennedy@albertahealthservices.ca
www.capitalhealth.ca/mcmullen
Call for Proposals
McMullen Gallery
University of Alberta Hospital
Edmonton, Alberta
Exhibition Season: May 2011 – April 2012
The McMullen Gallery is a public art space featuring 5-6 engaging, educational, and inspiring exhibits per year. The gallery offers shows in a wide range of styles in a relaxing and positive environment where patients, families and friends can meet to visit, listen to music, enjoy art and relax.
Seeking proposals for the exhibition year May 2011 – April 2012
The McMullen Gallery is a 900 sq. ft. gallery consisting of 175 running feet in a highly public, yet secure area - located just inside the main entrance of the University Hospital. The McMullen Gallery is seeking to host both group and solo exhibitions.
GALLERY MANDATE
We provide positive high quality exhibitions that enhance the hospital experience. We are open to a wide variety of styles; both traditional and contemporary approaches that:
• present quality artwork which is visually appealing to a wide variety of audiences
• promotes a positive, respectful healthcare environment
• engage, educate and inspire our visitors of various ages, social, and cultural backgrounds
BUDGET & GALLERY ACTIVITIES
Exhibition Budget:
• The McMullen Gallery will provide artists fees, opening celebration, invitation design, labels and signage.
• Exhibitors will be responsible for any additional costs such as matting and framing, external publicity, insurance and extended publications such as catalogues.
Educational Activities:
• Please indicate if artists are available to lead our drop in studios every Thursday from 2pm – 4pm.
• Please write a description of any additional activities you may wish to provide.
Download Prospectus and Submission Form:
Submission Brochure (pdf)
Submission brochure (doc)
Visit website for additional details: www.capitalhealth.ca/UniversityofAlbertaHospital/McMullenGallery/
For questions, contact:
Diana Young Kennedy
Gallery and Collection Administrator
780.407.7152
diana.youngkennedy@albertahealthservices.ca
www.capitalhealth.ca/mcmullen
Saturday, October 23, 2010
Akademie Schloss Solitude: Solitude 3
Deadline: October 31, 2010 (POSTMARK)
Akademie Schloss Solitude
Solitude 3
Stuttgart, Germany
Akademie Schloss Solitude supports young artists, scholars, scientists and economic professionals via residency fellowships only.
The application round begins on July 1, 2010, and ends on October 31, 2010. Application forms may only be obtained during this period.
The deadline for applications is October 31, 2010 (postmark).
Application requirements for a residency fellowship: (truncated)
•You are aged up to 35 years, or you have completed a university or college degree within the last five years.
•You have completed your academic studies. PhD students may submit applications.
•A limited number of fellowships are awarded regardless of the applicants' age.
•Would you like to apply as part of an artist group? In this case, each group member must fill in an application form on their own behalf. However, the various applications must be sent in a single mailing with the joint work samples.
•Knowledge of German, English or French is a prerequisite for application.
•If you have applied for a fellowship from the Kunststiftung Baden-Württemberg (Baden-Württemberg Art Foundation), whose application procedure runs at the same time, you may not apply for an Akademie Schloss Solitude fellowship.
•The Solitude fellowship is a residency fellowship. At least two thirds of the fellowship period must be spent at the Akademie.
•All fellows must have their permanent residence in Stuttgart for the fellowship's duration (obligation to register residence).
•Applicants whose applications are refused during a specific selection procedure may send in applications during two other rounds (maximum).
•Applicants are obliged to register and pay the application fee of € 15 (without return of materials) or € 20 (with return of materials). This fee applies only to applicants from industrialized countries.
•You can make applications for the following disciplines:
-Architecture
-Visual Arts
-Performing Arts
-Design
-Literature
-Music/Sound
-Video/Film/New Media
-Humanities (incl. Social Science)
-Jurisprudence/Labour Law
-Economics
Benefits for a residency fellowship at Akademie Schloss Solitude:
•Fellowships are usually awarded for a period between three and twelve months.
•Free accommodation is included, and fellows are awarded € 1,000 monthly, a sum due to increase to € 1,100 in autumn 2011.
•Fellows are provided with a furnished living/working studio (including electricity, water and heating).
•Travel expenses for arrival and departure in Stuttgart will be covered on a one-time basis.
•As a rule, the studios are usually only equipped for one person (due to their size).
•Fellows may use the Akademie’s ateliers (wood and metal) under the supervision of the resident managers.
Optional additional benefits to be adjusted according to the current budget situation:
•Rent subsidy in the case of double housekeeping.
•Transport expenses subsidy for the carriage of materials and books to Stuttgart and from Stuttgart to the fellow's home town.
•Project funding and one-off materials subsidy.
•Subsidized health insurance in the case of non-EU fellowship candidates.
Application fee:
An applicant from an industrial country is a person who lives and works in an industrial country during the application process. The nationality of the applicant is not decisive.
The application fee is 15 Euros without return of the material or 20 Euros including the return of material.
The deadline for your payment is October 31, 2010! Payment by credit card is possible by using Paypal.
All applicants who live in a non-industrial country during the application period do not have to pay the fee.
Visit website for application and complete details: http://bewerbung.akademie-solitude.de/intro_en.html
Akademie Schloss Solitude
Solitude 3
70197 Stuttgart
Germany
Akademie Schloss Solitude
Solitude 3
Stuttgart, Germany
Akademie Schloss Solitude supports young artists, scholars, scientists and economic professionals via residency fellowships only.
The application round begins on July 1, 2010, and ends on October 31, 2010. Application forms may only be obtained during this period.
The deadline for applications is October 31, 2010 (postmark).
Application requirements for a residency fellowship: (truncated)
•You are aged up to 35 years, or you have completed a university or college degree within the last five years.
•You have completed your academic studies. PhD students may submit applications.
•A limited number of fellowships are awarded regardless of the applicants' age.
•Would you like to apply as part of an artist group? In this case, each group member must fill in an application form on their own behalf. However, the various applications must be sent in a single mailing with the joint work samples.
•Knowledge of German, English or French is a prerequisite for application.
•If you have applied for a fellowship from the Kunststiftung Baden-Württemberg (Baden-Württemberg Art Foundation), whose application procedure runs at the same time, you may not apply for an Akademie Schloss Solitude fellowship.
•The Solitude fellowship is a residency fellowship. At least two thirds of the fellowship period must be spent at the Akademie.
•All fellows must have their permanent residence in Stuttgart for the fellowship's duration (obligation to register residence).
•Applicants whose applications are refused during a specific selection procedure may send in applications during two other rounds (maximum).
•Applicants are obliged to register and pay the application fee of € 15 (without return of materials) or € 20 (with return of materials). This fee applies only to applicants from industrialized countries.
•You can make applications for the following disciplines:
-Architecture
-Visual Arts
-Performing Arts
-Design
-Literature
-Music/Sound
-Video/Film/New Media
-Humanities (incl. Social Science)
-Jurisprudence/Labour Law
-Economics
Benefits for a residency fellowship at Akademie Schloss Solitude:
•Fellowships are usually awarded for a period between three and twelve months.
•Free accommodation is included, and fellows are awarded € 1,000 monthly, a sum due to increase to € 1,100 in autumn 2011.
•Fellows are provided with a furnished living/working studio (including electricity, water and heating).
•Travel expenses for arrival and departure in Stuttgart will be covered on a one-time basis.
•As a rule, the studios are usually only equipped for one person (due to their size).
•Fellows may use the Akademie’s ateliers (wood and metal) under the supervision of the resident managers.
Optional additional benefits to be adjusted according to the current budget situation:
•Rent subsidy in the case of double housekeeping.
•Transport expenses subsidy for the carriage of materials and books to Stuttgart and from Stuttgart to the fellow's home town.
•Project funding and one-off materials subsidy.
•Subsidized health insurance in the case of non-EU fellowship candidates.
Application fee:
An applicant from an industrial country is a person who lives and works in an industrial country during the application process. The nationality of the applicant is not decisive.
The application fee is 15 Euros without return of the material or 20 Euros including the return of material.
The deadline for your payment is October 31, 2010! Payment by credit card is possible by using Paypal.
All applicants who live in a non-industrial country during the application period do not have to pay the fee.
Visit website for application and complete details: http://bewerbung.akademie-solitude.de/intro_en.html
Akademie Schloss Solitude
Solitude 3
70197 Stuttgart
Germany
Friday, October 01, 2010
Sturt Craft Centre Artist-in-Residence
Deadline: 31st October 2010 (RECEIVE)
Artist-in-Residence
Sturt Craft Centre
Mittagong NSW
Australia
Sturt Craft Centre invites applications from experienced craft practitioners to the Sturt Artist-in-Residence program. Residencies occur in the disciplines of ceramics, jewellery, textiles, wood, photography and writing. Four to six residencies occur at Sturt each year.
Sturt sees the residency program as an important adjunct to its overall aim of support for Australian contemporary craft and design through a program of teaching, retail, exhibition and residencies. The emphasis of the residency program will be to support craftspeople and designer-makers who are sympathetic to this philosophy.
All Residency Programs are assisted financially from Friends of Sturt, a volunteer support group which meets regularly to help with events at Sturt, produces a newsletter and raises money through its membership fees.
Three categories of residency are available:
•Professional Residency
•Self Directed Residency
•Graduate Residency
The Residency program provides time, space and facilities for artists to focus on making and developing new work. There are no formal activities and residents are required to structure their time to best suit their practice. The Sturt Residency program suits those with a high level of initiative, and those who are able to work independently. It is expected that Residents will remain at Sturt for the Residency period. One of the unique aspects of Sturt is the opportunity to have interaction with makers working in other disciplines and to benefit from the active promotional program which Sturt generates at all times.
Aim of the Program
•Provide a model of successful craft practice
•Broaden Sturt’s profile by inviting high profile practitioners to Sturt
•Increase numbers of students, clients and the general public to Sturt
•Bring expertise to Sturt with a specialised area of craft practice
•Invigorate contemporary craft practices by giving artists quality time and facilities to develop new work
Complete requirements,additional details and the application available at the website: www.sturt.nsw.edu.au/residence
Contact details:
Mark Viner Head of Sturt
PO Box 34
Mittagong 2575 NSW Australia
mviner@sturt.nsw.edu.au
Ph +61 2 4860 2080
Fax +61 2 4860 2081
www.sturt.nsw.edu.au
Artist-in-Residence
Sturt Craft Centre
Mittagong NSW
Australia
Sturt Craft Centre invites applications from experienced craft practitioners to the Sturt Artist-in-Residence program. Residencies occur in the disciplines of ceramics, jewellery, textiles, wood, photography and writing. Four to six residencies occur at Sturt each year.
Sturt sees the residency program as an important adjunct to its overall aim of support for Australian contemporary craft and design through a program of teaching, retail, exhibition and residencies. The emphasis of the residency program will be to support craftspeople and designer-makers who are sympathetic to this philosophy.
All Residency Programs are assisted financially from Friends of Sturt, a volunteer support group which meets regularly to help with events at Sturt, produces a newsletter and raises money through its membership fees.
Three categories of residency are available:
•Professional Residency
•Self Directed Residency
•Graduate Residency
The Residency program provides time, space and facilities for artists to focus on making and developing new work. There are no formal activities and residents are required to structure their time to best suit their practice. The Sturt Residency program suits those with a high level of initiative, and those who are able to work independently. It is expected that Residents will remain at Sturt for the Residency period. One of the unique aspects of Sturt is the opportunity to have interaction with makers working in other disciplines and to benefit from the active promotional program which Sturt generates at all times.
Aim of the Program
•Provide a model of successful craft practice
•Broaden Sturt’s profile by inviting high profile practitioners to Sturt
•Increase numbers of students, clients and the general public to Sturt
•Bring expertise to Sturt with a specialised area of craft practice
•Invigorate contemporary craft practices by giving artists quality time and facilities to develop new work
Complete requirements,additional details and the application available at the website: www.sturt.nsw.edu.au/residence
Contact details:
Mark Viner Head of Sturt
PO Box 34
Mittagong 2575 NSW Australia
mviner@sturt.nsw.edu.au
Ph +61 2 4860 2080
Fax +61 2 4860 2081
www.sturt.nsw.edu.au
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