Sunday, December 09, 2007

Aldrich Contemporary Art Museum: Hall Curatorial Fellowship

Deadline: February 15, 2008 (RECEIVE)


Hall Curatorial Fellowship
The Aldrich Contemporary Art Museum
Ridgefield, CT
June 1, 2008, to December 31, 2009

The Aldrich Contemporary Art Museum is pleased to announce a call for entries for the Hall Curatorial Fellowship, an eighteen-month fellowship for an international curator.

The Hall Fellow is responsible for curating an original exhibition in keeping with The Aldrich's mission of leadership in the exhibition of significant and challenging contemporary art with an emphasis on emerging and mid-career artists. The Museum is located in Ridgefield, Connecticut, 50 miles outside New York City.

The Hall Fellow will be chosen by an independent jury of distinguished art world professionals, including:

Carlos Basualdo of the Philadelphia Museum of Art
Bonnie Clearwater of the Museum of Contemporary Art, North Miami
Sir Norman Rosenthal of the Royal Academy, London

The Fellow will work with The Aldrich's curatorial team to develop his/her exhibition, oversee its installation, and collaborate with Museum staff to develop programming and an exhibition catalogue. To be eligible for the Hall Curatorial Fellowship, an applicant must be an art professional with a focus on contemporary art, and a citizen of a country other than the United States of America. The applicant must currently live and work in a country other than the United States, be proficient in English, have prior experience as a curator or co-curator of at least three professional exhibitions of contemporary art, and be able to travel to the United States.

The Hall Fellow will receive a stipend of 25,000 dollars over the eighteen-month period of the Fellowship, from June 1, 2008, to December 31, 2009. The exhibition will be on view at The Aldrich from September 2009 through February 2010.

Applications for the Hall Curatorial Fellowship are due at The Aldrich Contemporary Art Museum no later than February 15, 2008. Selected applicants will be invited for interviews at The Aldrich during March and April 2008. For full information and complete application materials, please visit http://www.aldrichart.org/hallfellowship

Questions regarding the Hall Fellowship should be addressed to fellowship@aldrichart.org

The Aldrich Contemporary Art Museum is grateful for the generosity of the Andrew J. and Christine C. Hall Foundation, which endowed the Hall Curatorial Fellowship.

THE ALDRICH
The Aldrich Contemporary Art Museum is a non-collecting museum of contemporary art located in Ridgefield Connecticut, USA. Founded in 1964, today's Aldrich Museum serves as not only a viewing place for contemporary art, but also a venue where art, education, and culture converge to expand traditional ways of thinking. It is suggested that potential applicants should first explore The Aldrich's Web site to gain a greater understanding of the Museum, its mission, and its programs: http://www.aldrichart.org/

OUR MISSION
It is the mission of The Aldrich Contemporary Art Museum to be a national leader in the exhibition of significant and challenging contemporary art with an emphasis on emerging and mid-career artists, a world-class innovator of museum education programs, and a vital cultural resource for our community.

THE PROGRAM
The Hall Curatorial Fellowship program is intended to offer an exceptional opportunity to an international curator to gain curatorial experience in a United States museum setting, and to support the professional development of curators. In order to bring an international perspective to the Museum's curatorial practice, the Hall Fellow will be primarily responsible for curating an original exhibition in keeping with the Museum's mission, overseeing its installation at The Aldrich, and the development of appropriate complementary cultural and educational programs. The Hall Curatorial Fellowship program is NOT a residency program.

CLICK HERE TO DOWNLOAD AN APPLICATION: HCFguidelinesapp.pdf

Contact: Pamela Ruggio
Phone: 203.438.4519
Email: pruggio@aldrichart.org

Quilt Odyssey--Quilt Competition

Deadline: April 30, 2008 (POSTMARK)


Quilt Odyssey
Quilt Competition

Hershey Lodge & Convention Center
Hershey, PA
2008 Dates - July 24-27

Rules and Regulations

Entries must be the creation of one person (in the case of Large, Wall and Miniature categories) or persons (in case of the Group category) submitting the work and should be insured. Quilts must have been made within the past three years and be original (no kits). They must be either machine or hand quilted. No tied quilts (with the exception of crazy quilts entered in the Mixed/Other Techniques category) or "cheater cloth" quilts will be accepted. In the case of the special award, Best Artistry in Longarm Quilting, the quilting must be original and not a computed or preprogrammed pattern. There is a limit of two quilts per person or group. The quilt may not have been submitted to a Quilt Odyssey contest in previous years.

Please give us all information about your quilt - did you quilt it? If not, we need to know and it should be entered into the Group category! Failure to disclose information about all those participating in the creation of your quilt may disqualify you from monetary awards.

Categories


  1. Large:
    Predominantly Appliqued Quilt
    Predominantly Pieced Quilt
    Mixed/Other Techniques Used

  2. Wall Quilt:
    Predominantly Appliqued
    Predominantly Pieced
    Mixed/Other Techniques Used

  3. Miniature Quilt

  4. Group Quilt

Size Guidelines

Large Quilts - Equal to or more than 270 inches in perimeter.
Wall Quilts - Between 97 inches and 269 inches in perimeter.
Miniature Quilt - 96 inches and less in perimeter & must be miniature in nature
Group Quilt - Any size

Note: Juried quilts will not be disqualified because they are in the wrong category. If the judges feel it should be in another category, it will be judged in the appropriate one.

Registration Fees
$10.00 per quilt entered. Registration fees are non-refundable.

Awards

Best Hand Quilting, Best Machine Quilting, Best Pictorial, Best Traditional, Best Artistry Using Longarm, Viewers' Choice, Judge's Choices and Best of Show awards and prizes encompass all categories above.

How to Enter
  • Complete entry form - Entry Form

  • Submit two 35mm color slides or digital pictures for each entry: one of the whole quilt and one close-up. (Digital pictures are now permitted as long as they haven't been retouched in any way. Save them as a jpeg and put them on a CD.)

  • We must receive your entry materials postal-dated by April 30, 2008.

Acceptance and Quilt Delivery Procedures

You will be notified of acceptance by May 30, 2008.

Quilts must have a 4-6" wide sleeve attached to the back as well as a cloth label sewn to the back of the quilt with the name, address, name of the quilt and phone number of the person entering the quilt.

The quilts must be on display until the close of the show on July 27, 2008.


Click here to go to our printable entry form - Entry Form

If you would like the contest brochure mailed to you, please send a self-addressed, stamped envelope to:

Quilt Odyssey
15004 Burnt Mill Road
Shippensburg, PA 17257

Questions? Please email us at Quilt Odyssey or call us at 717-423-5148.

Visit the website for complete details: http://www.quiltodyssey.com/contest.htm

13th International Lace Biennial - Contemporary Art

Deadline: 1 March 2008


13th International Lace Biennial: Contemporary Art
Queen Fabiola's Grand Prix
Brussels, Belgium
November 2008 to January 2009

Competition objective

The 13th International Lace Biennial is aimed at encouraging and promoting the artistic development of Contemporary Art Lace, the search for new shapes and materials and/or techniques demonstrating current ideas.

The competition is open to any amateur or professional regardless of ideology, language, politics or race, provided that:



  • the creations consist of interlaced, plaited or braided fibres and threads;

  • they fulfil the criteria of novel forms, freedom of movement, fluidity, transparency, and poetry;

  • their technique embraces modernity and is similar to lace;

  • the exhibits are at least two years old.

Fields of creation

The work must convey current ideas and be similar to lace by satisfying criteria of freedom of concept, movement, transparency, space filling and it must be of an innovative nature.

The name of the artist must be visible on the reverse if possible or at a point unable to be seen by the jury.

Freedom is given in dimensions; however, for practical reasons, the height of the work cannot exceed 2.50 m and the weight should not exceed 50 kg

Applications, folders

Enrolment forms for the 13th Biennial can be obtained from the association’s secretariat:

Biennale Internationale de la Dentelle a.s.b.l.
rue de la Violette
6 – BE - 1000 Brussels
tel/fax: 00/32-2-770 86 70

or by e-mail: c.delwiche@dbk.be

The association's head office must receive the enrollment form, by registered mail, by 1 March 2008 at the latest, accompanied by the complete presentation folder. Each artist submits either one personal work which will have to be produced in less than two years.

The presentation folder must contain

the enrolment form, duly filled in and signed;
the artist’s curriculum vitae not to be longer than one side of A4;
2 identical CD-ROMs each including:
a shot of the complete work with a scale of measurement graduated in cm,
a shot(s) of the complete work without scale of measurement,
details,
as far as three-dimensional works are concerned, a shot of each side is required.

a sample(s) of the lace textile (fabric and workmanship) in the chosen material and of sufficient size (maximum format A4, minimum square of 10 x 10 cm).

a supplementary file presenting photos of recent works (no more than five years old) without any mention of the author's name on the documents.

Folders that are incomplete or do not conform or whose CD-ROM does not meet technical production criteria or for which the “Concept” section has not been completed will be automatically disqualified.

Composition of the International Jury

The International Jury is composed of members of the artistic council of the Biennial:

Maggy Baum Designer, Honorary Teacher at École Nationale Supérieure des Arts Visuels (La Cambre), Belgium
Marie-Claude Béaud Artistic Director of the Musée d’Art Contemporain Grand-Duc Jean, Luxemburg
Denise Biernaux Expert in Contemporary Textile, Teacher at École Nationale Supérieure des Arts Visuels (la Cambre), Belgium
Jean Coquelet Honorary Curator at the Musée d’Ixelles, Belgium
Françoise de Loisy Curator of the Musées d’Angers, chargée du Musée Jean Lurçat et de la tapisserie contemporaine, France
Charlotte Delwiche President of the International Lace Biennial, Belgium
Eliane De Wilde Honorary Chief Conservator of the Musées Royaux des Beaux-Arts de Belgique
Fabienne Dumont Responsible of the Centre européen d’Art Contemporain of the City of Brussels, Belgium
Marco Faggioli Expert in Chinese and Japanese art, Curator of exhibitions, Author, Italy
Martine Ghuys President of Domaine de la Lice, Belgium
Ursula Karbacher Conservator at the Textilmuseum St-Gallen, Switzerland
Catherine Parfait Expert in Contemporary Lace, Belgium
Corinne ter Assatouroff Curator to the Museum of Costume and Lace, of the City of Brussels, Belgium
Colette van Steyvoort Honorary Lace Master of the City of Brussels, Founder of the International Lace Biennial, Honoured President of the International Lace Biennial, Belgium

The International Jury will select the works on the basis of the presentation folders submitted by the participants. The decisions of the jury are final.

Selected artists and winners

The winning artists will receive one of the following titles :

"Winner of the Queen Fabiola’s Grand Prix of the 13th International Lace Biennial"
"Winner of the Golden Bobbin of the 13th International Lace Biennial"
"Winner of the Silver Bobbin of the 13th International Lace Biennial"
"Winner of the Bronze Bobbin of the 13th International Lace Biennial"
"Winner of the Crystal Bobbin of the 13th International Lace Biennial "

Queen Fabiola's Grand Prix is attributed by the International Jury of the 13th International Lace Biennial, in accordance with the special qualities inherent in the work and its importance from the viewpoint of contemporary lace.

It will be awarded to an artist whose work matches item 2 of these rules.

Queen Fabiola's Grand Prix is awarded to allow the artist to continue his creative development through the organization of an exhibition, which will take place in Brussels during the following Biennial. At this exhibition, necessarily organised in partnership with the Biennial Artistic Council, the winning work of two years previously will be displayed at the same time as the new works .

The maximum value of the prize is fixed at €3,718 and will take the form of an open credit to the winner, to enable the exhibition to be set up. This credit covers organisational costs, and the exhibition in Brussels (rental fees, transportation, invitations, reception, etc.).

These costs will be reimbursed on presentation of the relevant expense vouchers up to the total value of the prize (€3,718).

The members of the International Jury may decide not to award the Grand Prix if they feel the criteria are not met.

Exhibition of prize-winning and selected works

The 13th International Lace Biennial - Contemporary Art, will be exhibited in Brussels and will form the subject of other exhibitions abroad.

Sale of exhibits

Works by artists can be sold with their agreement but no publicity can be made in this regard as the exhibit takes place in a public place.

Artists wishing to offer their work for sale during the exhibitions, must specify the selling price in advance, in euros. Where a sale is made, 25% will be deducted to cover various expenses and taxes.

Should an artist agree to sell their work during the exhibition period (Belgium and abroad), they may not go back on their decision.

Rules and Application Online Forms via the website:

http://www.dbk.be/en/main/infos/reglement/reglement2.html (Rules)
http://www.dbk.be/en/main/infos/reglement/inscription.html (Application)

Downloadable Word Docs via Craftscotland

Rules for International Lace Biennial (DOC 70.5 KB)
Application form International Lace Biennial (DOC 42.0 KB)


Visit the website for complete details: dbk.be/en/renseignements

For all information and correspondence:

Biennale Internationale de la Dentelle — Art Contemporain a.s.b.l.
Rue de la Violette 6
B-1000 Bruxelles
Tel : +32 (0)2 770 86 70
Fax : +32 (0)2 770 86 70
E-mail: c.delwiche@dbk.be

Saturday, December 08, 2007

ARTAPESTRY 2

Deadline: December 31, 2007

ARTAPESTRY 2

European Tapestry Forum
Copenhagen, Denmark
November 2008


Following the success of the juried exhibition ARTAPESTRY, European Tapestry Forum ETF has begun planning the second installment of this tapestry triennial. ARTAPESTRY 2 is to open in November 2008. The exhibition will also be shown in at least three European museums.

ARTAPESTRY 2 is open to tapestry artists from Europe, or who live and work in Europe. Entries must be postmarked from within Europe.

ETF is looking for works which are constructed in the traditional woven tapestry technique but are contemporary in content and feel. The tapestries submitted must be current work woven no earlier than 2005.

Works must be at least 1 square meter of woven area, and must be hand-woven tapestry; that is discontinuous wefts.

Three-dimensional works may also be accepted.

Work will be selected by an independent jury of five experts in their field, including artists and curators. Member of the jury are:

Dr. Edit Andras, Art historian, Hungary
Prof. Wlodzimierz Cygan, Tapestry artist, Poland
Annika Ekdahl, Tapestry artist, Sweden
Fiona Mathison, Tapestry artist, Scotland
Bernard Schotter, Administrateur général du du Mobilier National et des Manufactures Nationales des Gobelins de Beauvais et des Savonnerie, France.

The jury may disqualify any work that it is significantly different from the slides submitted.

Artists are asked to submit slides of a completed work; no drawings or cartoons will be accepted.
Artists are asked to submit work on colour slides 35 mm (diapositive); At least one full view of the completed work and one detail per tapestry. (We strongly recommend that the artists have professional photographers take the photos. Tapestries should be placed on a light-coloured, plain background for the photo.)

• SUBMISSION DEADLINE FOR ENTRY FORMS AND SLIDES: December 31, 2007
• JURYING WILL BE IN February 2008
• ARTISTS WILL RECEIVE WORD BY March 1, 2008

ETF will charge a non-refundable entry fee of 30 Euros for members and 50 Euros for non members. The fee must be paid by bank transfer at your cost to the ETF Euro account.

SALE OF WORKS
The European Tapestry Forum will charge 10 % commission on works sold from the exhibition. Price - In Euros.

Download Entry Forms HERE! (Adobe PDF-files)

All letters, inquiries and calls about ARTAPESTRY to be directed to:
European Tapestry Forum
Secretariat, Kastelvej 6, o.g.,
DK-2100 Copenhagen, Denmark
Phone: +45 26702024
E-mail: mail@tapestry.dk

Visit website for complete details: http://www.tapestry.dk/activities.htm

CraftTexas 2008

Deadline: March 1, 2008


CraftTexas 2008
Houston Center for Contemporary Craft
May 24 – August 17, 2008


CraftTexas 2008 is the fifth in a series of juried exhibitions showcasing the best in Texas-made contemporary craft. Formerly known as CraftHouston, the show’s new title more accurately reflects the participating artists from all over the state who work in clay, fiber, glass, metal, wood and in found/recycled materials.

This unique show, which will be captured in a DVD catalogue and may be toured, provides Texas artists the opportunity to be considered for inclusion in major national museum and private collections. The exhibition also serves as a starting place for the general public to appreciate the depth and breadth of art being made in our own communities and across the state.

Jurors:
Kate Bonansinga, Director of the Stanlee and Gerald Rubin Center for the Visual Arts and Assistant Professor of Art at the University of Texas at El Paso
Harlan Butt, metalsmith and Regents Professor of Art at the University of North Texas
Jane Sauer, fiber artist, sculptor and owner of Jane Sauer (formerly Thirteen Moons) Gallery in Santa Fe, New Mexico.

ARTIST ELIGIBILITY
• CraftTexas 2008 is open to all artists currently residing in Texas.
• Works in craft media: clay, fiber, glass, metal, wood and in found/recycled materials will be accepted.
• Each artist may submit up to three (3) original works completed within the last two (2) years.
• Work must be available for a one-year traveling schedule and may not be withdrawn from the exhibition at any time prior to the final closing date.
• Crated work must fit through a 4’ x 8’ door and actual work may not exceed 200 pounds in weight.

AWARDS
• Three (3) Award of Merit prizes of $1000 each will be chosen.
• All selected artists will receive the CraftTexas 2008 DVD catalogue.

ONLINE APPLICATION PROCESS
• Applications must be completed and submitted online via the CaFÉ TM system at www.callforentry.org.
• Online applications will be accepted until March 1, 2008 (midnight, Central Standard Time).
• Incomplete or late applications will not be accepted.

SUBMISSION MATERIALS
• Artist statement (maximum of 1000 characters).
• Current, one-page resume in MS Word (.doc) or PDF (.pdf) only.
• Artists may submit one (1) digital image per work for a total of up to three (3) separate works. Do not submit detail images.
• Artists must indicate if their work is for sale or not. If work is for sale, the retail price must be listed. Please note that HCCC retains a 50% commission on all retail sales from Craft Texas 2008.
• Non-refundable entry fee of $35 to be paid by credit card.

SELECTION PROCEDURE
Work submitted to CraftTexas 2008 will be juried via the CaFÉ TM system using high-resolution digital images. Jurors will view each work as a separate, anonymous entry. Images must be accurate representations of the work. Accepted work that differs significantly from the images may be rejected at the discretion of HCCC. No substitutions of accepted work will be allowed.

ACCEPTED WORK
• Notification of acceptance will be on or before April 14, 2008.

ABOUT HOUSTON CENTER FOR CONTEMPORARY CRAFT (HCCC)
Houston Center for Contemporary Craft is dedicated to advancing education about the process, product and history of craft. The Craft Center provides exhibition, retail and studio spaces to support the work of local and national artists and serves as a resource for artists, educators and the community at large.

QUESTIONS
Address questions regarding application guidelines and submission process to crafttexas@crafthouston.org.

Visit the website for complete details: crafthouston.org

Friday, December 07, 2007

Art Hits the Wall 2008

Deadline: July 30th 2008 (POSTMARK)

Art Hits the Wall 2008
Mary E. Black Gallery
Halifax, NS
October 24 to December 21 2008


Art Hits The Wall is a juried exhibition of unique quilted and hooked wall art created by residents of Atlantic Canada (New Brunswick, Nova Scotia, Prince Edward Island and Newfoundland). Art Hits the Wall 2008 theme: “All Nature Sings”

“All Nature Sings” ...... We all have experienced those special moments when nature “sang” to us. Let your memories of those treasured times or, whatever nature provides to take your breath away, be your inspiration and guide!

The Nova Scotia Centre for Craft and Design (NSCCD) is working with the Art Hits the Wall (AHW) committee. This is a juried show only - adherence to the criteria will be the limiting factors. The show will not be judged (i.e. no ribbons will be awarded).

There is no entry fee.

Entrants are not required to be members of any quilting or rug hooking group but should have an interest in the development and growth of their art form. Technique is important but will not be the defining quality. The work will be evaluated on its adherance to the prescribed criteria and its interpretive perspective.

The exhibition will be held at:
Mary E. Black Gallery
1061 Marginal Road
Halifax, NS. B3H 4P6
(next to Pier 21)
Official opening Thursday, October 23, 2008

Entry Requirements
  • All entrants must have a year-round Atlantic Canadian residence.

  • Work submitted must have been created specifically for this show and this must be the first public showing of the work.

  • Only fully completed work will be accepted.

  • Maximum perimeter measurement 120” (incl.frame)

  • Work may be framed or bound and with a hidden sleeve attached across the back of the work if the artist considers it necessary.
    Mary E. Black Gallery will supply “carpet tack” rods for hooked pieces and smooth rods for quilted work.

  • Work can be signed. Also, securely fasten a label on the back of the work which includes the artist’s name, address and phone number and title of the work.

Work will not be advertised as being for sale. If you notify the gallery that you wish to sell your work they will keep the information on file and request that prospective buyers to contact you directly.

An artist may submit one piece of work per medium (i.e. one hooked piece and one quilted) but they must be entered on separate forms.

An artist’s statement can be included with entry.

If possible please send a digital image or photograph of the work with your entry form. (An image/photo of the incomplete piece will be acceptable.)

Gallery director: Susan MacAlpine Foshay
Phone # 1-902-492-2522
email: susan@craft-design.ns.ca

Art Hits the Wall 2008 info and entry form (PDF)

Download the Floor Plan (PDF)

Alaska Fiber Festival: Tundra Boot Challenge

Deadline: February 2, 2008 (RECEIVE)

Tundra Boot Challenge

Alaska Fiber Festival
March 7th -16th, 2008

The theme: Half-Baked Alaska

Tundra Boot Challenge

Eligibility: Artists residing in Alaska or the Yukon

Entry Fee: $10 or $100 late entry fee

February 2nd is the deadline for the finished boots along with size information (so we can begin finding the models).

Absolute deadline. February 23rd. There is a $100 late entry fee for any entry delivered after February 2nd.

An entry must be accompanied by the entry fee and a signed copy of the entry form, to be accepted.

Entries must be pair of footwear and ready to wear.

Entries must have a cloth label sewn on the inside at the top of the boot or attached to the bottom of the boots listing the name of piece, the artist’s name, address, and phone number. The label must contain the same name and contact information that appears on the entry form. A paper label pinned to the entry is not acceptable.

If the artist chooses, their entry can be for sale. Be sure to include the price of the footwear if you decide to offer it for sale.

All footwear will be modeled at the Wearable Art Fashion Show then displayed at Sunday's Fiber Show, even if previously sold.

Entries must be packed in a cloth bag, i.e. pillow case, with the artist's name on it. This makes sure the piece can be returned to the artist in good condition.

Artists are responsible for door-to-door shipment and return freight.

Alaska Fiber Festival retains the right to disqualify pieces that do not meet exhibition standards.

If you have any questions about a challenge check out the FAQ section. If you can't find an answer there then email it to challenges@alaskafiberfestival.org


Entry Form: Challenge Entry Form
Website: alaskafiberfestival.org/Challenges

Alaska Fiber Festival: Judged Art Quilt Challenge

Deadline: February 2, 2008 (RECEIVE)

Judged Art Quilt Challenge

Alaska Fiber Festival
March 7th -16th, 2008

The theme: Half-Baked Alaska

Judged Art Quilt Challenge

Eligibility: Artists residing in Alaska or the Yukon

Entry Fee: $10

Entries must be received by February 2, 2008.

An entry must be accompanied by the entry fee and a signed copy of the entry form, to be accepted.

Entries must be an original design, have a minimum of three layers and be quilted. There are No minimum or maximum dimensions.

Awards
1st place Basket full of goodies worth $350 value
2nd place Basket full of goodies worth $250 value
3rd place Basket full of goodies worth $150 value

All quilts must have a hanging sleeve attached to the back at the top edge. The hanging sleeve measurements are as follows: the width of the quilt less one inch at each end and with a depth of 3 inches

All entries must have a sewn-on cloth label on the back listing the name of piece, the artist’s name, address, and phone number The label must contain the same name and contact information that appears on the entry form.

Entries must be packed in a cloth bag, i.e. pillow case, with the artist's name on it. This makes sure the piece can be returned to the artist in good condition.

Artists are responsible for door-to-door shipment and return freight.

Alaska Fiber Festival retains the right to disqualify pieces that do not meet exhibition standards.

If you have any questions about a challenge check out the FAQ section. If you can't find an answer there then email it to challenges@alaskafiberfestival.org

Entry Form: Challenge Entry Form
Website: alaskafiberfestival.org/Challenges

Alaska Fiber Festival: Judged Trendy Tundra Trench Coat Challenge

Deadline: February 2, 2008 (RECEIVE)

Judged Trendy Tundra Trench Coat Challenge
Alaska Fiber Festival
March 7th -16th, 2008


Judged Trendy Tundra Trench Coat Challenge

Eligibility: Artists residing in Alaska or the Yukon

Entry Fee: $10 or $100 late entry fee

February 2nd is the deadline for the finished coat along with size information (so we can begin finding the models).

Absolute deadline. February 23rd. There is a $100 late entry fee for any entry delivered after February 2nd.

An entry must be accompanied by the entry fee and a signed copy of the entry form, to be accepted.


Entries must be a wearable garment and ready to wear.

Awards
1st place Basket full of goodies worth $350 value
2nd place Basket full of goodies worth $250 value
3rd place Basket full of goodies worth $150 value

A photo showing how the coat is to be worn must be included with the entry if there is any question on how it is to be displayed.

Entries must have a cloth label sewn on the inside at the top of the coat listing the name of piece, the artist’s name, address, and phone number. The label must contain the same name and contact information that appears on the entry form. A paper label pinned to the entry is not acceptable.

If the artist chooses, their entry can be for sale. Be sure to include the price of the coat if you decide to offer it for sale.

All coats will be modeled at the Wearable Art Fashion Show then displayed at Sunday's Fiber Show, even if previously sold.

Entries must be packed in a cloth bag, i.e. garment bag, with the artist's name on it. This makes sure the piece can be returned to the artist in good condition.

Artists are responsible for door-to-door shipment and return freight.

Alaska Fiber Festival retains the right to disqualify pieces that do not meet exhibition standards.

If you have any questions about a challenge check out the FAQ section. If you can't find an answer there then email it to challenges@alaskafiberfestival.org

Entry Form: Challenge Entry Form
Website: alaskafiberfestival.org/Challenges

Alaska Fiber Festival: Barrow-more Album Quilt Challenge

Deadline: February 2, 2008 (RECEIVE)

Barrow-more Album Quilt Challenge

Alaska Fiber Festival
March 7th -16th, 2008

The theme: Half-Baked Alaska

Barrow-more Album Quilt Challenge

Eligibility: Artists residing in Alaska or the Yukon

Entry Fee: $10

An entry must be accompanied by a $10 entry fee and a signed copy of the entry form, to be accepted.

The traditional Baltimore Album Quilts began in Baltimore, Maryland region back in the 1840s. Elaborate appliquéd blocks were created with flowers, leaves, fruit, cornucopia, twined baskets motifs to make elegant and sophisticated designs.
Well guess what?!! It's 2007 and this is ALASKA!!! This challenge is an Alaskan twist to the Baltimore album tradition. We named it after Barrow, Alaska because.... well ....because it sounded good! Get inspired and create a “Barrow”more Album quilt with appliquéd blocks of your own original wonderful or whacky design! This is a chance to be creative. Use something Alaskan on the surface... Include some non-textiles in your appliqué. A bunch of half-baked quilters want you to use “Half-Baked Alaska” as the theme for your design!

And now for the boring, necessary stuff...

Entries must be an original design, have a minimum of three layers and be quilted. There are No minimum or maximum dimensions.

All quilts must have a hanging sleeve attached to the back at the top edge. The hanging sleeve measurements are as follows: the width of the quilt less one inch at each end and with a depth of 3 inches

All entries must have a sewn-on cloth label on the back listing the name of piece, the artist’s name, address, and phone number The label must contain the same name and contact information that appears on the entry form.

Entries must be packed in a cloth bag, i.e. pillow case, with the artist's name on it. This makes sure the piece can be returned to the artist in good condition.

Artists are responsible for door-to-door shipment and return freight.


Alaska Fiber Festival retains the right to disqualify pieces that do not meet exhibition standards.

If you have any questions about a challenge check out the FAQ section. If you can't find an answer there then email it to challenges@alaskafiberfestival.org

Entry Form: Challenge Entry Form
Website: alaskafiberfestival.org/Challenges