Sunday, January 20, 2013
Embroiderers' Guild Scholarship 2013
Deadline: February 4, 2013 (RECEIVE)
Guild Scholarship 2013
Embroiderers' Guild
Walton on Thames, Surrey
Two Embroiderers’ Guild Scholarships of £1000 each are awarded annually to students to develop the practice of embroidery. One Scholarship is for students in the age category of 18 to 30 years inclusive, and one Scholarship is for students over 30 years of age.
All applicants should have studied the practice of embroidery or stitched textiles through formal or informal learning. The Scholarships are to support students to undertake projects which further their own practice. Working with the Embroiderers’ Guild during the Scholarship year provides each Scholar with opportunities to be introduced to the Guild’s network of Members, Branches and practising professionals.
The aim of the Scholarships is to support embroiderers to implement project proposals which further their own embroidery practice. Criteria for selection are consistent within both age categories.
Criteria for selection
• The Scholarships are for embroiderers who have studied the practice of embroidery or stitched textiles through formal or informal learning.
• Selection will be based equally on an applicants ability as an embroiderer (6 images on a CD) and the quality of the Scholarship project proposal.
• The specific Scholarship use must be given
• Selection will be based on how the applicant intends to use the Scholarship, and it must therefore be shown how the project proposal will further the applicant's own embroidery practice.
• The project proposal must be in line with the aim of the Scholarship. Ineligible proposals will make the application void.
• The application must include a timetable, action plan and a breakdown of costs for the Scholarship project proposal.
Download Application Form: www.embroiderersguild.com/embroiderers_guild_scholar_application_2013.pdf
Download Flyer: http://www.embroiderersguild.com/embroiderers_guild_scholarships_2013.pdf
Visit website: www.embroiderersguild.com
Embroiderers' Guild
1 Kings Road
Walton on Thames
Surrey, KT12 2RA
T: 01932 260738
Guild Scholarship 2013
Embroiderers' Guild
Walton on Thames, Surrey
Two Embroiderers’ Guild Scholarships of £1000 each are awarded annually to students to develop the practice of embroidery. One Scholarship is for students in the age category of 18 to 30 years inclusive, and one Scholarship is for students over 30 years of age.
All applicants should have studied the practice of embroidery or stitched textiles through formal or informal learning. The Scholarships are to support students to undertake projects which further their own practice. Working with the Embroiderers’ Guild during the Scholarship year provides each Scholar with opportunities to be introduced to the Guild’s network of Members, Branches and practising professionals.
The aim of the Scholarships is to support embroiderers to implement project proposals which further their own embroidery practice. Criteria for selection are consistent within both age categories.
Criteria for selection
• The Scholarships are for embroiderers who have studied the practice of embroidery or stitched textiles through formal or informal learning.
• Selection will be based equally on an applicants ability as an embroiderer (6 images on a CD) and the quality of the Scholarship project proposal.
• The specific Scholarship use must be given
• Selection will be based on how the applicant intends to use the Scholarship, and it must therefore be shown how the project proposal will further the applicant's own embroidery practice.
• The project proposal must be in line with the aim of the Scholarship. Ineligible proposals will make the application void.
• The application must include a timetable, action plan and a breakdown of costs for the Scholarship project proposal.
Download Application Form: www.embroiderersguild.com/embroiderers_guild_scholar_application_2013.pdf
Download Flyer: http://www.embroiderersguild.com/embroiderers_guild_scholarships_2013.pdf
Visit website: www.embroiderersguild.com
Embroiderers' Guild
1 Kings Road
Walton on Thames
Surrey, KT12 2RA
T: 01932 260738
Labels:
(FEB 4),
[RECEIVE],
Embroidery,
Grants/Funding
Torpedo Factory Art Center Visiting Artist Program
Deadline: February 10, 2013 (RECEIVE) or (HAND DELIVERY)
Visiting Artist Program
Torpedo Factory Art Center
Alexandria, VA
June 1 to August 31, 2013
The Visiting Artist Program is intended as a professional development opportunity for emerging and experienced visual artists, and to expose visitors to a new group of artists and projects. Applicants may apply for a one-, two-, or three-month summer residency. The projects undertaken by Visiting Artists for this self-directed, creative residency must be compatible with available working studio spaces and facilities.
The Visiting Artist will have the opportunity for informal collegial exchanges with Torpedo Factory artists. As part of the program, each Visiting Artist is also asked to give a demonstration, elaborating on his/her work. Visiting Artists will be able to display and sell original artwork and will be provided with workspace.
Each Visiting Artist will pay one-half of the rent of the studio (amounts range between approximately $180 and $480 per month for the Visiting Artist, depending on the studio). The Torpedo Factory Art Center does not have any shared equipment or facilities. All expenses and arrangements related to art materials, equipment, transportation, housing or other requirements are the responsibility of the Visiting Artist.
ELIGIBILITY
The Visiting Artist Program is open to all emerging and experienced visual artists over the age of 21 who are not currently Torpedo Factory leaseholders [Torpedo Factory Associates are eligible, and selection will not affect Associate status].
Applicants provide evidence of artistic accomplishment through submitted images and the application form. By applying, applicants agree to: (1) work in front of, and interact with, the public; (2) work in the studio five days a week during the period of the residency (because most of our visitors come on the weekends, we request that Visiting Artists work on those days); and (3) commit to follow the Visiting Artist Program requirements.
Juror: Maria Karametou
Download Prospectus: http://www.torpedofactory.org/vap/2013Prospectus_VAP.pdf
Visit website for more details: http://www.torpedofactory.org/vap
Direct any questions to: VAP@torpedofactoryartists.com
Visiting Artist Program
Torpedo Factory Art Center
105 North Union Street
Alexandria, VA 22314
Visiting Artist Program
Torpedo Factory Art Center
Alexandria, VA
June 1 to August 31, 2013
The Visiting Artist Program is intended as a professional development opportunity for emerging and experienced visual artists, and to expose visitors to a new group of artists and projects. Applicants may apply for a one-, two-, or three-month summer residency. The projects undertaken by Visiting Artists for this self-directed, creative residency must be compatible with available working studio spaces and facilities.
The Visiting Artist will have the opportunity for informal collegial exchanges with Torpedo Factory artists. As part of the program, each Visiting Artist is also asked to give a demonstration, elaborating on his/her work. Visiting Artists will be able to display and sell original artwork and will be provided with workspace.
Each Visiting Artist will pay one-half of the rent of the studio (amounts range between approximately $180 and $480 per month for the Visiting Artist, depending on the studio). The Torpedo Factory Art Center does not have any shared equipment or facilities. All expenses and arrangements related to art materials, equipment, transportation, housing or other requirements are the responsibility of the Visiting Artist.
ELIGIBILITY
The Visiting Artist Program is open to all emerging and experienced visual artists over the age of 21 who are not currently Torpedo Factory leaseholders [Torpedo Factory Associates are eligible, and selection will not affect Associate status].
Applicants provide evidence of artistic accomplishment through submitted images and the application form. By applying, applicants agree to: (1) work in front of, and interact with, the public; (2) work in the studio five days a week during the period of the residency (because most of our visitors come on the weekends, we request that Visiting Artists work on those days); and (3) commit to follow the Visiting Artist Program requirements.
Juror: Maria Karametou
Download Prospectus: http://www.torpedofactory.org/vap/2013Prospectus_VAP.pdf
Visit website for more details: http://www.torpedofactory.org/vap
Direct any questions to: VAP@torpedofactoryartists.com
Visiting Artist Program
Torpedo Factory Art Center
105 North Union Street
Alexandria, VA 22314
Labels:
(FEB 10),
[Hand Delivery],
[RECEIVE],
All Media,
Career Development,
Residencies
Lark Needlearts Showcase 500 Traditional Quilts
Deadline: February 28, 2013 (POSTMARK)
Publishing Opportunity
Showcase 500 Traditional Quilts
Lark Needlearts
Asheville, NC
Publication Scheduled for Fall 2014
Lark Needlearts seeks excellent images of wonderful traditional quilts to feature in a collection scheduled to publish in fall 2014. The juror is Karey Bresenhan, president of Quilts, Inc. The book is intended as the traditional quilt correlate to Karey’s popular 500 Art Quilts, published in early 2010.
Entries must be postmarked by February 28, 2013. We encourage early entries!
Please choose work that reflects the book’s concept. A maximum of five entries per artist is allowed. An entry may consist of no more than two visuals: an overall shot and one detail view showing quilting stitches and design. All entries must be mailed in the same packet. We do not accept e-mailed submissions.
An Entry Form and a completed and signed copy of the Photo License Agreement must accompany your submission.
Important: Lark Crafts will only publish photos of entries containing text and images that are free of copyright or for which the artist (or approved institution) holds copyright.
To avoid delaying the receipt of your letter of notification or complimentary copy of the book, contact us immediately if your address changes (ddillingham@sterlingpublishing.com). Complimentary copies will be mailed after the book appears in stores.
Decisions made by Lark Crafts on the selection of pieces are final, and notifications will be mailed shortly before the book’s publication. Lark Crafts will only use the selected images in the book and in promotion of the book (in any and all editions and/or languages).
Visit website for details: http://www.larkcrafts.com/submit
Download Call for Submissions: http://www.larkcrafts.com/Showcase-500-Traditional-Quilts-Entry-Form-Extended-Deadline.pdf
Lark Crafts
67 Broadway
Asheville, NC 28801
Publishing Opportunity
Showcase 500 Traditional Quilts
Lark Needlearts
Asheville, NC
Publication Scheduled for Fall 2014
Lark Needlearts seeks excellent images of wonderful traditional quilts to feature in a collection scheduled to publish in fall 2014. The juror is Karey Bresenhan, president of Quilts, Inc. The book is intended as the traditional quilt correlate to Karey’s popular 500 Art Quilts, published in early 2010.
Entries must be postmarked by February 28, 2013. We encourage early entries!
Please choose work that reflects the book’s concept. A maximum of five entries per artist is allowed. An entry may consist of no more than two visuals: an overall shot and one detail view showing quilting stitches and design. All entries must be mailed in the same packet. We do not accept e-mailed submissions.
An Entry Form and a completed and signed copy of the Photo License Agreement must accompany your submission.
Important: Lark Crafts will only publish photos of entries containing text and images that are free of copyright or for which the artist (or approved institution) holds copyright.
To avoid delaying the receipt of your letter of notification or complimentary copy of the book, contact us immediately if your address changes (ddillingham@sterlingpublishing.com). Complimentary copies will be mailed after the book appears in stores.
Decisions made by Lark Crafts on the selection of pieces are final, and notifications will be mailed shortly before the book’s publication. Lark Crafts will only use the selected images in the book and in promotion of the book (in any and all editions and/or languages).
Visit website for details: http://www.larkcrafts.com/submit
Download Call for Submissions: http://www.larkcrafts.com/Showcase-500-Traditional-Quilts-Entry-Form-Extended-Deadline.pdf
Lark Crafts
67 Broadway
Asheville, NC 28801
Labels:
(FEB 28),
[POSTMARK],
Publishing,
Quilts
Square Foot Fiber Art Pin Up Show 2013
Deadline: February 28, 2013 (RECEIVE)
Square Foot Fiber Art Pin Up Show 2013
Southeast Fiber Arts Alliance
Southeast Fiber Arts Alliance Center
Atlanta, GA
Exhibition Opens: March 10, 2013
The second annual Square Foot Fiber Art Pin Up Show is a free, un-juried show, that is open to everyone. Here are the only requirements:
There is no theme and no restrictions other than a finished size of 12" x 12." Let your imagination soar and let's show how wonderfully diverse, unique and creative the fiber arts are!
Show attendees will vote for their three favorite squares and the top 13 vote-getters will be photographed for inclusion in SEFAA's 2014 calendar.
A silent auction will run the duration of the show, so artists are encouraged to offer their submission(s) for sale. The portion of the sale proceeds donated to SEFAA (20% minimum to 100% maximum) is up to each individual artist.
The exhibition opening will be Sunday, March 10th from 2-5 pm at the SEFAA Center
Download Entry Form: Pin-Up_Show_Entry_Form_V2__2013-01-03_.pdf
Visit website for more details: www.fiberartsalliance.org
Southeast Fiber Arts Alliance
1705 Commerce Dr. NW
Atlanta, GA 30318
Phone: 678-235-4328
Square Foot Fiber Art Pin Up Show 2013
Southeast Fiber Arts Alliance
Southeast Fiber Arts Alliance Center
Atlanta, GA
Exhibition Opens: March 10, 2013
The second annual Square Foot Fiber Art Pin Up Show is a free, un-juried show, that is open to everyone. Here are the only requirements:
- Entries can be no larger than 12" x 12".
- Entries must incorporate one or more fiber art techniques.
- Include display hardware and hanging instructions if you don't want pushpins used to display your entry.
- Your Entry Form must be completed and submitted by February 28, 2013. (Note: You can fill out the form online or print it out and fill it in by hand.)
- Entries may be submitted by mail or in person to the SEFAA Center (1705 Commerce Dr. NW, Atlanta, GA 30318) but must arrive on or before March 4, 2012. Mailed entries will not be returned unless accompanied by a stamped, self-addressed envelope.
There is no theme and no restrictions other than a finished size of 12" x 12." Let your imagination soar and let's show how wonderfully diverse, unique and creative the fiber arts are!
Show attendees will vote for their three favorite squares and the top 13 vote-getters will be photographed for inclusion in SEFAA's 2014 calendar.
A silent auction will run the duration of the show, so artists are encouraged to offer their submission(s) for sale. The portion of the sale proceeds donated to SEFAA (20% minimum to 100% maximum) is up to each individual artist.
The exhibition opening will be Sunday, March 10th from 2-5 pm at the SEFAA Center
Download Entry Form: Pin-Up_Show_Entry_Form_V2__2013-01-03_.pdf
Visit website for more details: www.fiberartsalliance.org
Southeast Fiber Arts Alliance
1705 Commerce Dr. NW
Atlanta, GA 30318
Phone: 678-235-4328
Labels:
(FEB 28),
[RECEIVE],
All FIBER,
Exhibitions,
Mixed Media
360 XOCHI QUETZAL: Spring Artist Residency in Central Mexico
Deadline: March 16, 2013 (ONLINE)
Spring Artist Residency
360 XOCHI QUETZAL
Chapala, Mexico
May 1 - 31, 2013
The new 360 XOCHI QUETZAL artist residency is located in Chapala, Mexico on the shores of the largest lake in Mexico where the perfect year-round climate and stunning lake and mountain views have long established the region as an international artist mecca. Visual artists, musicians and writers will be inspired by the natural beauty, history and culture of this special part of central Mexico.
ELIGIBILITY: We base our selections on artists who demonstrate artistic accomplishment, a well-conceived residency project, indication that this residency will make a significant impact and evidence of the self-reliance required for a residency in the developing world. National and international artists, writers and new media creatives over the age of 25 are welcome to apply.
RESIDENCY DATES: Our next free one-month residency will begin May 1, 2013 and continue through May 31, 2013. Our next residencies will be in October 1 - 31, 2013 and December 21, 2013 - January 20, 2014. There is some flexibility with the dates.
STUDIO: There is a large work table and a 16 ft long x 8 ft high work wall. The adjoining Studio-Work-Surface-and-Wall bathroom doubles as a cleaning area. The studio also has a desk and there is free wi-fi. Plein air painters, writers and artists who draw have endless access to warm, outdoor beauty. There is a spinet piano downstairs for musicians.
LIVING: We offer a beautiful home with kitchen and living room downstairs and your bedroom and a spacious studio upstairs. There are also 2.5 bathrooms. You will also have free local phone service. International calls can be made via skype.
APPLICATION: Application fee is $36.00 and there are discounts for members of various artist organizations as well as a $12 discount for artists who are re-applying.
Apply online: https://www.callforentry.org
Visit website for more details: http://www.deborahkruger.com/1/art-residency.html
For more information, contact residency@deborahkruger.com
Spring Artist Residency
360 XOCHI QUETZAL
Chapala, Mexico
May 1 - 31, 2013
The new 360 XOCHI QUETZAL artist residency is located in Chapala, Mexico on the shores of the largest lake in Mexico where the perfect year-round climate and stunning lake and mountain views have long established the region as an international artist mecca. Visual artists, musicians and writers will be inspired by the natural beauty, history and culture of this special part of central Mexico.
ELIGIBILITY: We base our selections on artists who demonstrate artistic accomplishment, a well-conceived residency project, indication that this residency will make a significant impact and evidence of the self-reliance required for a residency in the developing world. National and international artists, writers and new media creatives over the age of 25 are welcome to apply.
RESIDENCY DATES: Our next free one-month residency will begin May 1, 2013 and continue through May 31, 2013. Our next residencies will be in October 1 - 31, 2013 and December 21, 2013 - January 20, 2014. There is some flexibility with the dates.
STUDIO: There is a large work table and a 16 ft long x 8 ft high work wall. The adjoining Studio-Work-Surface-and-Wall bathroom doubles as a cleaning area. The studio also has a desk and there is free wi-fi. Plein air painters, writers and artists who draw have endless access to warm, outdoor beauty. There is a spinet piano downstairs for musicians.
LIVING: We offer a beautiful home with kitchen and living room downstairs and your bedroom and a spacious studio upstairs. There are also 2.5 bathrooms. You will also have free local phone service. International calls can be made via skype.
APPLICATION: Application fee is $36.00 and there are discounts for members of various artist organizations as well as a $12 discount for artists who are re-applying.
Apply online: https://www.callforentry.org
Visit website for more details: http://www.deborahkruger.com/1/art-residency.html
For more information, contact residency@deborahkruger.com
Labels:
(MAR 16),
[Online],
All Media,
Residencies
Lillstreet Art Center Roof Top Flag Installation
Deadline: March 31, 2013 (RECEIVE) or (EMAIL)
Roof Top Flag Installation
Lillstreet Art Center
Chicago IL
May - December 2013
Lillstreet's textile department annually exhibits a series of juried artist's flags in an installation space on the rooftop of the Art Center building. Selected artists have their flags displayed for a month and two of the year's artists are chosen to receive cash prizes for their flags.
Installations rotate monthly from May - December 2013. Open to all artists who wish to create fiber or textile work. Also open to alternative media. Four 9ft flag poles are available for hanging work. Work is located on top of a 3 story building and can easily be seen from CTA and Metra train tracks.
All Applications must be received by March 31st, 2013! Notification will be given by April 30th, 2013 and delivery of flags should be two weeks prior to the month alloted for installation.
Please submit the following information:
Sketches of each flag
Materials you plan on using (images of materials optional)
Size of each flag
Title for the flag series
Preferred month to display
Artist statement
Resume or CV
Examples of most recent work (jpegs or website preferred)
We will be awarding two prizes for the best flag installations:
$500 1ST PLACE
$150 runner-up
The call for entry can be found here:
http://lillstreettextiles.blogspot.com/p/opportunities-calls-for-entry.html
Examples of previously selected artists can be found here:
http://lillstreettextiles.blogspot.com/p/rooftop-project-installation-space.html
Send all proposals to:
Lillstreet Art Center
4401 N Ravenswood Ave
Chicago IL 60640
c/o Camille Canales
Electronic proposals should be sent to camille@lillstreet.com
Roof Top Flag Installation
Lillstreet Art Center
Chicago IL
May - December 2013
Lillstreet's textile department annually exhibits a series of juried artist's flags in an installation space on the rooftop of the Art Center building. Selected artists have their flags displayed for a month and two of the year's artists are chosen to receive cash prizes for their flags.
Installations rotate monthly from May - December 2013. Open to all artists who wish to create fiber or textile work. Also open to alternative media. Four 9ft flag poles are available for hanging work. Work is located on top of a 3 story building and can easily be seen from CTA and Metra train tracks.
All Applications must be received by March 31st, 2013! Notification will be given by April 30th, 2013 and delivery of flags should be two weeks prior to the month alloted for installation.
Please submit the following information:
Sketches of each flag
Materials you plan on using (images of materials optional)
Size of each flag
Title for the flag series
Preferred month to display
Artist statement
Resume or CV
Examples of most recent work (jpegs or website preferred)
We will be awarding two prizes for the best flag installations:
$500 1ST PLACE
$150 runner-up
The call for entry can be found here:
http://lillstreettextiles.blogspot.com/p/opportunities-calls-for-entry.html
Examples of previously selected artists can be found here:
http://lillstreettextiles.blogspot.com/p/rooftop-project-installation-space.html
Send all proposals to:
Lillstreet Art Center
4401 N Ravenswood Ave
Chicago IL 60640
c/o Camille Canales
Electronic proposals should be sent to camille@lillstreet.com
Labels:
(MAR 31),
[EMAIL],
[RECEIVE],
All FIBER,
Exhibitions,
Installations,
Mixed Media
3rd Annual Lill Street Craft Fair
Deadline: April 1, 2013 (ONLINE) or (POSTMARK)
3rd Annual Lill Street Craft Fair
Lincoln Park
Chicago, IL
July 27-28, 2013
The Lill Street Craft Fair is pleased to announce an open call for entries for the 3rd Annual Lill Street Craft Fair, to be held July 27-28, 2013 in Chicago’s Lincoln Park in conjunction with The Taste of Lincoln Avenue.
One of the city's largest and most popular summer celebrations, the Taste of Lincoln Avenue will be celebrating its 30th year in 2013. This year, a juried craft fair will be held adjacent to the festival and will showcase a wide array of artists works tucked away from the bustle of the party. Taste of Lincoln Avenue began as a small neighborhood fundraiser and has grown to become the second largest street festival in the region. The event features 350 vendors and more than 40 entertainers on four stages.
CATEGORIES (Descriptions available on website).
The Lill Street Craft Fair has the right to re-categorize an artist’s submission.
Jurying is done separately for each category and is anonymous.
Jurors are selected for their experience and expertise in a specific media and serve on panels in their area. A diversity of backgrounds and skills is sought, including artists, educators, fine art and craft gallery owners and museum directors/curators. A new panel of jurors is selected each year to allow for fresh perspective.
The Lill Street Craft Fair is a highly selective fine arts and fine crafts fair. Participating artists’ booths will be visited periodically throughout the fair by Festival Management to ensure that artists are complying with the rules.
RULES: (truncated)
Applications accepted via Zapp: https://www.zapplication.org/
Event Organizers: http://chicagoevents.com/
3rd Annual Lill Street Craft Fair
Lincoln Park
Chicago, IL
July 27-28, 2013
The Lill Street Craft Fair is pleased to announce an open call for entries for the 3rd Annual Lill Street Craft Fair, to be held July 27-28, 2013 in Chicago’s Lincoln Park in conjunction with The Taste of Lincoln Avenue.
One of the city's largest and most popular summer celebrations, the Taste of Lincoln Avenue will be celebrating its 30th year in 2013. This year, a juried craft fair will be held adjacent to the festival and will showcase a wide array of artists works tucked away from the bustle of the party. Taste of Lincoln Avenue began as a small neighborhood fundraiser and has grown to become the second largest street festival in the region. The event features 350 vendors and more than 40 entertainers on four stages.
CATEGORIES (Descriptions available on website).
The Lill Street Craft Fair has the right to re-categorize an artist’s submission.
- Apparel
- Ceramics
- Drawing/Works on Paper
- Glass
- Jewelry
- Leather
- Mixed Media
- Painting
- Photography
- Woodworking
Jurying is done separately for each category and is anonymous.
Jurors are selected for their experience and expertise in a specific media and serve on panels in their area. A diversity of backgrounds and skills is sought, including artists, educators, fine art and craft gallery owners and museum directors/curators. A new panel of jurors is selected each year to allow for fresh perspective.
The Lill Street Craft Fair is a highly selective fine arts and fine crafts fair. Participating artists’ booths will be visited periodically throughout the fair by Festival Management to ensure that artists are complying with the rules.
RULES: (truncated)
- All work must be original and handcrafted. All work must be designed and executed by the accepted artist(s). No work that has been made with commercial kits, molds, patterns, plans or prefabricated pieces is allowed.
- Reproductions must be clearly identified as such and may only constitute one third of the total display.
- Artists displaying work produced in editions must disclose edition numbers to the Festival audience.
- Artists may only show work in categories approved by the Jury.
- Artists must prominently display their Artist Statement along with a picture of the artist(s), describing how and by whom the work is made and the materials used in the production of the work.
- Artists must be present with their work for the duration of the Festival. If the work is collaborative, each collaborator must be present.
- All work must be for sale.
- Artists are responsible for collecting and paying the applicable Chicago Sales Tax (10.25%) to the Illinois Department of Revenue.
Applications accepted via Zapp: https://www.zapplication.org/
Event Organizers: http://chicagoevents.com/
Labels:
(APR 1),
[Online],
[POSTMARK],
All CRAFT,
Fairs/Festivals
Eastern State Penitentiary Art Proposals - 2014 Season
Deadline: June 13, 2013, 4:00 pm (RECEIVE) or (HAND DELIVERY)
Art Proposals
Eastern State Penitentiary Historic Site
Philadelphia, PA
2014 Season
We seek installations that will explore Eastern State Penitentiary's history, and evoke a broad range of emotions. We seek installations that will make connections between the complex history of this building and its legacy in current prison policies and conditions.
We want to humanize these difficult subjects with personal stories and distinct points of view. We want to hear new voices—voices that might emphasize the political or humorous or bluntly personal. We want our visitors to be challenged with provocative questions, and we are prepared to face some provocative questions ourselves.
In short, we seek memorable, thought-provoking additions to our public programming, combined with true excellence in artistic practice.
If our definition of this program seems broad, it's because we're open to approaches that we haven't yet heard.
Orientation: We strongly recommend that applicants begin the proposal process by attending an artist orientation. These informal tours/conversations give the artists a chance to explore the space, discuss what makes a successful proposal, ask questions, and observe visitors interacting with the current installations. There is no charge for attending an orientation.
Orientation Dates and Times for 2014 Season
Sunday, December 30, 2012 at 11 am
Friday, February 1 at 11 am
Friday, March 15 at 3 pm
Sunday, March 24 at 3 pm
Friday, April 20 at 3:00 pm
Saturday, May 4 at 10:30 am
Saturday, May 26 at 11 am
Tuesday, June 4 at 6 pm
Sunday, June 9 at 2 pm
Choosing a Location in the Penitentiary Complex:
Artists may apply for any public area in the penitentiary complex for the 2014 season, except Cellblock 2 and the main audio tour route.
We recommend making space requests as broad as possible ("any cell with electricity"), since it gives us confidence that we can find a site for the work. We also encourage artists to propose for specific
locations if those locations are important to the piece, such as Nick Cassway's request for his
installation—Portraits of Inmates in the Death Row Population Sentenced as Juveniles—to face Death Row.
Spaces on the outside of the penitentiary walls may also be available, including in the Corinthian and Brown Street garden areas. These proposals will require another set of approvals from neighborhood
groups.
Our staff is available to consult on proposed locations.
Funding: The historic site will fund a maximum $7,500.00 per project. This funding indicates approval to exhibit. All projects that are approved will be installed for one full tour season (typically March 15 through November 30), unless the proposal states otherwise. Artists may apply for future installation cycles, and should assume that the same guidelines, deadlines, and funding levels will apply.
Eligibility:
• Collaborative proposals are permitted; individuals may submit only one proposal per year (whether alone or as part of a collaboration).
• Artists who have previously exhibited at the site must wait five years before submitting a proposal for a new installation.
• Applicants may not submit previously rejected proposals.
• Artists must be at least 18 years old. Currently enrolled undergraduate students are ineligible to apply.
• All proposals must be for a site-specific installation.
• These guidelines are for artists who wish to install visual, video or other installation work to remain on view during all public hours at the historic site. The site does host performing arts, films, and
speakers' series. Please contact Sean Kelley at sk@easternstate.org for proposals in the
performing or live arts.
Download Proposal Guidelines: http://www.easternstate.org/sites/default/files/ESP%20Guidelines%20for%20Art%20Proposals%2C%202014%20Cycle%2C%20FINAL.pdf
Visit website for more details: Easternstate.org/art
Contact:
Sean Kelley
Senior Vice President, Director of Public Programming
sk@easternstate.org
(215) 236-5111 x13
Art Proposals
Eastern State Penitentiary Historic Site
Philadelphia, PA
2014 Season
We seek installations that will explore Eastern State Penitentiary's history, and evoke a broad range of emotions. We seek installations that will make connections between the complex history of this building and its legacy in current prison policies and conditions.
We want to humanize these difficult subjects with personal stories and distinct points of view. We want to hear new voices—voices that might emphasize the political or humorous or bluntly personal. We want our visitors to be challenged with provocative questions, and we are prepared to face some provocative questions ourselves.
In short, we seek memorable, thought-provoking additions to our public programming, combined with true excellence in artistic practice.
If our definition of this program seems broad, it's because we're open to approaches that we haven't yet heard.
Orientation: We strongly recommend that applicants begin the proposal process by attending an artist orientation. These informal tours/conversations give the artists a chance to explore the space, discuss what makes a successful proposal, ask questions, and observe visitors interacting with the current installations. There is no charge for attending an orientation.
Orientation Dates and Times for 2014 Season
Friday, February 1 at 11 am
Friday, March 15 at 3 pm
Sunday, March 24 at 3 pm
Friday, April 20 at 3:00 pm
Saturday, May 4 at 10:30 am
Saturday, May 26 at 11 am
Tuesday, June 4 at 6 pm
Sunday, June 9 at 2 pm
Choosing a Location in the Penitentiary Complex:
Artists may apply for any public area in the penitentiary complex for the 2014 season, except Cellblock 2 and the main audio tour route.
We recommend making space requests as broad as possible ("any cell with electricity"), since it gives us confidence that we can find a site for the work. We also encourage artists to propose for specific
locations if those locations are important to the piece, such as Nick Cassway's request for his
installation—Portraits of Inmates in the Death Row Population Sentenced as Juveniles—to face Death Row.
Spaces on the outside of the penitentiary walls may also be available, including in the Corinthian and Brown Street garden areas. These proposals will require another set of approvals from neighborhood
groups.
Our staff is available to consult on proposed locations.
Funding: The historic site will fund a maximum $7,500.00 per project. This funding indicates approval to exhibit. All projects that are approved will be installed for one full tour season (typically March 15 through November 30), unless the proposal states otherwise. Artists may apply for future installation cycles, and should assume that the same guidelines, deadlines, and funding levels will apply.
Eligibility:
• Collaborative proposals are permitted; individuals may submit only one proposal per year (whether alone or as part of a collaboration).
• Artists who have previously exhibited at the site must wait five years before submitting a proposal for a new installation.
• Applicants may not submit previously rejected proposals.
• Artists must be at least 18 years old. Currently enrolled undergraduate students are ineligible to apply.
• All proposals must be for a site-specific installation.
• These guidelines are for artists who wish to install visual, video or other installation work to remain on view during all public hours at the historic site. The site does host performing arts, films, and
speakers' series. Please contact Sean Kelley at sk@easternstate.org for proposals in the
performing or live arts.
Download Proposal Guidelines: http://www.easternstate.org/sites/default/files/ESP%20Guidelines%20for%20Art%20Proposals%2C%202014%20Cycle%2C%20FINAL.pdf
Visit website for more details: Easternstate.org/art
Contact:
Sean Kelley
Senior Vice President, Director of Public Programming
sk@easternstate.org
(215) 236-5111 x13
Call for Papers/Costume Colloquium IV: Colors in Fashion
Deadline: July 1, 2013 (EMAIL)
Call for Papers
Costume Colloquium IV: Colors in Fashion
Florence, Italy
November 6-9, 2014
The next edition of Costume Colloquium will focus on a kaleidoscope of topics that rotate around the color wheel of fashion. As with all the past three Costume Colloquium conferences, an international, interdisciplinary and intercultural format will spark a lively and informative dialogue among speakers and participants from a variety of backgrounds, professions and points of view.
The Advisory Committee and organizers of the next Costume Colloquium dedicated to “Colors in Fashion” are seeking new and unpublished papers for the 2014 conference. As with all the previous Costume Colloquium conferences, presentations can be made on material of a theoretical and/or practical nature. Not only informative, but also inventive and creative presentations are welcome.
Topics of interest include the following:
Codification of colors past and present:
◦Lexicon and terminology: problems and eventual solutions
◦Archival documents and corresponding examples
Symbolism of colors in dress and fashion:
◦Variations of the meaning and value of color in fashion over time
◦The significance of color in dress among different cultures
◦Color as a language of power
◦Color as a language of belonging
Interaction among colors in style and fashion presentation:
◦Color of dress and fashion in museum or commercial displays: to sell or to save?
◦Color combinations in dress: rules or lack of?
Colors and techniques of fabrics:
◦New methods of dye research and analysis
◦Alteration of colored fabrics: causes and conservation
◦Methods of color reproduction for conservation or exhibitions: natural or synthetic?
Color and fashion trends:
◦Designers, stylists and forecasters: how are fashion color palettes determined?
Submission Information and Instructions: (truncated)
Your proposal abstract must be received following these criteria:
- Language for the paper submission is English.
- All the personal data for the author and the co-author(s) must be filled out.
- Your affiliation and job title or description are requested.
- The abstract text can be a maximum of 400 words. Should your abstract proposal be accepted, the text you submit will be published online as it is received.
- Include a brief autobiography (200 words maximum).
- You can include a list (maximum 5 entries) of publications that best represent your expertise.
- If you have images (maximum 5 of maximum 1mb size each) to support your proposal include them in the CCIV Submission Form in the indicated field.
Costume Colloquium will be unable to pay for any expenses involved in the preparation and presentation of papers. Please obtain all necessary permissions for use of images before the presentation is given.
Length of presentations: 20 minutes
Your proposal abstract and brief autobiography must be received via email by July 1st 2013.
Visit website for complete details: http://www.costume-textiles.com/colors_in_fashion
For further inquiries please contact: info@costume-textiles.com
Call for Papers
Costume Colloquium IV: Colors in Fashion
Florence, Italy
November 6-9, 2014
The next edition of Costume Colloquium will focus on a kaleidoscope of topics that rotate around the color wheel of fashion. As with all the past three Costume Colloquium conferences, an international, interdisciplinary and intercultural format will spark a lively and informative dialogue among speakers and participants from a variety of backgrounds, professions and points of view.
The Advisory Committee and organizers of the next Costume Colloquium dedicated to “Colors in Fashion” are seeking new and unpublished papers for the 2014 conference. As with all the previous Costume Colloquium conferences, presentations can be made on material of a theoretical and/or practical nature. Not only informative, but also inventive and creative presentations are welcome.
Topics of interest include the following:
Codification of colors past and present:
◦Lexicon and terminology: problems and eventual solutions
◦Archival documents and corresponding examples
Symbolism of colors in dress and fashion:
◦Variations of the meaning and value of color in fashion over time
◦The significance of color in dress among different cultures
◦Color as a language of power
◦Color as a language of belonging
Interaction among colors in style and fashion presentation:
◦Color of dress and fashion in museum or commercial displays: to sell or to save?
◦Color combinations in dress: rules or lack of?
Colors and techniques of fabrics:
◦New methods of dye research and analysis
◦Alteration of colored fabrics: causes and conservation
◦Methods of color reproduction for conservation or exhibitions: natural or synthetic?
Color and fashion trends:
◦Designers, stylists and forecasters: how are fashion color palettes determined?
Submission Information and Instructions: (truncated)
Your proposal abstract must be received following these criteria:
- Language for the paper submission is English.
- All the personal data for the author and the co-author(s) must be filled out.
- Your affiliation and job title or description are requested.
- The abstract text can be a maximum of 400 words. Should your abstract proposal be accepted, the text you submit will be published online as it is received.
- Include a brief autobiography (200 words maximum).
- You can include a list (maximum 5 entries) of publications that best represent your expertise.
- If you have images (maximum 5 of maximum 1mb size each) to support your proposal include them in the CCIV Submission Form in the indicated field.
Costume Colloquium will be unable to pay for any expenses involved in the preparation and presentation of papers. Please obtain all necessary permissions for use of images before the presentation is given.
Length of presentations: 20 minutes
Your proposal abstract and brief autobiography must be received via email by July 1st 2013.
Visit website for complete details: http://www.costume-textiles.com/colors_in_fashion
For further inquiries please contact: info@costume-textiles.com
Labels:
(JUL 1),
[EMAIL],
Call for Papers,
Conferences,
Costuming,
Fashion
“Always Something…” Surface Design Association, Illinois Exhibit 2013
Deadline: July 29, 2013 Midnight CST (EMAIL)
“Always Something…”
Surface Design Association, Illinois Exhibit 2013
The Vogt Visual Arts Center
Tinley Park, IL
September 3 - 26, 2013
All current United States Midwest Surface Design Association (SDA) Members are invited to enter into the Surface Design Association, Illinois Exhibit 2013 “Always Something…”, including Illinois, Indiana, Iowa, Michigan, Minnesota, Nebraska, North Dakota, Ohio, South Dakota, and Wisconsin.
To become a member of SDA and participate in this exhibit, go to the SDA website: http://www.surfacedesign.org
Exhibit Concept: The intention of this exhibit is to illustrate reactions when things don’t go our way. A journey stalled by a red light, construction that blocks our path; a bridge goes up and halts our progress. One thing leads to another… Perhaps these moments allow for us to notice something unexpected, a mother and child holding hands, a sunlit tree reveals magic, we hear the sweet music of a songbird. Life is motion, each unexpected change allows for an opportunity to see our world anew and alter our perspective.
Managing Curators: Darcy Berg, Patty Bergh, Marianne Biagi, Joy Lavrencik, Jeanette Thompson
Design Rules
Guidelines & Instructions (truncated)
Acceptance Fee
If your piece is accepted into the exhibit, you are required to submit a one-time Acceptance Fee of $5.00 US for up to three entries. (One to three entries = One to three Entry forms + One to three digital overall images + One to three digital detail images + One check for $5.00.)
View Call for Artists: http://illinoissda.blogspot.com/2012/11/call-for-artist-from-midwest-sda-member.html
Download Prospectus/Entry Form: https://docs.google.com/open?id=0B_6hz07oudtvUHQxSk01dTBUdWs
Please read the Prospectus, Entry Form and Check List carefully. If you have any questions, email Jeanette Thompson at jevirgo27@gmail.com
Event Location:
The Vogt Visual Arts Center
Tinley Park-Park District
8125 West 171st Street
Tinley Park, Illinois 60477-2363
“Always Something…”
Surface Design Association, Illinois Exhibit 2013
The Vogt Visual Arts Center
Tinley Park, IL
September 3 - 26, 2013
All current United States Midwest Surface Design Association (SDA) Members are invited to enter into the Surface Design Association, Illinois Exhibit 2013 “Always Something…”, including Illinois, Indiana, Iowa, Michigan, Minnesota, Nebraska, North Dakota, Ohio, South Dakota, and Wisconsin.
To become a member of SDA and participate in this exhibit, go to the SDA website: http://www.surfacedesign.org
Exhibit Concept: The intention of this exhibit is to illustrate reactions when things don’t go our way. A journey stalled by a red light, construction that blocks our path; a bridge goes up and halts our progress. One thing leads to another… Perhaps these moments allow for us to notice something unexpected, a mother and child holding hands, a sunlit tree reveals magic, we hear the sweet music of a songbird. Life is motion, each unexpected change allows for an opportunity to see our world anew and alter our perspective.
Managing Curators: Darcy Berg, Patty Bergh, Marianne Biagi, Joy Lavrencik, Jeanette Thompson
Design Rules
- Artwork must be works of Fiber and/or Surface Design or use Fiber and/or Surface Design techniques. Art Quilts shall conform to the SAQA definition of an art quilt.
- Piece shall exemplify innovation in Fiber and Surface Design techniques as well as excellence in composition and skill.
- Feel free to interpret this theme widely. Abstract and conceptual works are welcome.
- No glitter. Use of glitter will cause your entry to be eliminated from the exhibit.
- All parts of a piece must be permanently attached.
- All pieces that can be hung on a wall, a ceiling, placed on a pedestal, or in a case shall be accepted.
- All pieces must be original to the artist. Kits shall not be accepted.
Guidelines & Instructions (truncated)
- Submit up to three (3) entries of high quality contemporary work in any medium for exhibit with separate Entry Forms and images for each piece.
- There are no size or shape requirements.
- A label for your art work must be securely attached to the bottom back right corner.
- If a piece is required to hang, it shall arrive prepared for hanging. Include a sleeve with a rod, bar, or slat, or other hanging hardware. Pieces that arrive that are not prepared for hanging shall be eliminated from the exhibit.
- Instructions for hanging or placing complex items are invited.
- Any pieces deemed offensive, or of not high quality, shall be eliminated from the exhibit.
- The Vogt Visual Arts Center requires a 30% commission of each sale.
Acceptance Fee
If your piece is accepted into the exhibit, you are required to submit a one-time Acceptance Fee of $5.00 US for up to three entries. (One to three entries = One to three Entry forms + One to three digital overall images + One to three digital detail images + One check for $5.00.)
View Call for Artists: http://illinoissda.blogspot.com/2012/11/call-for-artist-from-midwest-sda-member.html
Download Prospectus/Entry Form: https://docs.google.com/open?id=0B_6hz07oudtvUHQxSk01dTBUdWs
Please read the Prospectus, Entry Form and Check List carefully. If you have any questions, email Jeanette Thompson at jevirgo27@gmail.com
Event Location:
The Vogt Visual Arts Center
Tinley Park-Park District
8125 West 171st Street
Tinley Park, Illinois 60477-2363
Labels:
(JUL 29),
[EMAIL],
All FIBER,
Exhibitions,
Surface Design
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